Inside the greenhouse
watering seedlings and plants
outside it’s raining
by Scooj
Inside the greenhouse
watering seedlings and plants
outside it’s raining
by Scooj
This piece from Decay in May 2017 was encouraging people to use their vote in the June General Election of that year. An election that resulted in a hung parliament in which the Conservatives ‘bought’ the seats of the DUP to gain the slimmest of majorities, to continue the miserable administration we have become used to for more than a decade. I can’t wait to be shot of them if I am honest. The current Cabinet are an absolutely incompetent shower and the coronavirus outbreak has evidenced their poor decision making, not just during the crisis, but in running down our essential public services for more than a decade. I’ll stop there.

The artwork from Decay is really nice and it is great to have a piece from the artist that is a bit different from his customary writing or concentric pattern work. The three ovals on the left of the Y are a similar feature used by Slim Pickings on his Ts and Ss. A nice political piece.

Following on from Yesterday’s rare unearthed Laic217 piece is this equally rare Kid Crayon piece from my archive. I usually post Kid Crayon’s work pretty shortly after I have photographed it because I like it and am keen to share it. This Star Wars piece was painted on the side of the Matchbox Gallery at a time when it had an exhibition of Star Wars work, probably coinciding with May the fourth, 2017. (May the fourth be with you)

Although not wholly looking like Carrie Fisher, we all know exactly who this character is and that is what matters. The double-bun hairstyle is possibly one of the most iconic ever. It is unusual to see a piece like this from Kid Crayon, which makes it all the more special. I’m not sure who painted the R2D2, but have a feeling it might have been DNT.
No… I am your father.
.
Starlings ascending
disturbed while feeding their young
I the disturber
.
by Scooj
This is something of a rarity, an unpublished piece by Laic217. All I can guess is that May/June 2017 must have been a very, very busy time on Natural Adventures, because I tend to prioritise Laic217 pieces, because he is one of my favourite artists in Bristol and I love to share his work.

This piece is typical of his work at that time, featuring some graffiti writing combined with a character. The character is a skull, of course, with a bucket hat, of course and some brickwork glasses… . In my view this is a really classy piece and is beautifully executed and it is with not a small amount of happiness that I am sharing it on Natural Adventures.
I am not entirely certain when this lovely Egyptian-style wheatpaste by qWeRT first appeared, and by the time I photographed it it was already looking a little weathered, but I think it was from a visit to Bristol in around November/December last year.

Our googly-eyed Friend has really gone to town in this one wearing a full Tutankhamen death mask and looking most splendid. As much as the artwork itself, I like the placing, in a disused window space so that it is framed really nicely. To be fair, it is a popular space for wheatpasters, but that is because it is exactly the right kind of spot. I think a qWeRT gallery might be in the wings.
Seeds in their packets
won’t be growing anywhere
I’ll plant tomorrow
by Scooj
I managed to get out yesterday and found a few new pieces around the place, and it would seem that with some social distancing rules being relaxed artists are beginning to slowly return to walls. In the meantime, I still have a few archive pieces lined up for publication, including this fine collaboration fron Dasco and Wiflywin.

On the left is a nice piece of writing from Dasco. Confident and assured the fills are great and the stripy barcode effect on the 3D lettering has worked well in this instance, which is not always an easy thing to do. Set on an orange brick wall, the piece segues nicely into the wiflywin piece to the right.

Wiflywin continues the writing using a similar colour palette and the barcoded 3D letter shading, but perhaps with just a little less confidence. I am not quite sure what the letters spell out, and I will have to get to know more about the artist.

On the right is a smashed up police car and I am uncertain whether one or the other or both artists painted it. Perhaps there was another artist involved, I am not sure, but I rather like it, and it works really well as a ‘character’ bookend to the graffiti writing. I’m not sure why I never posted this in November last year when I first photographed it.
UPDATE – On 30 May I met Wiflywin for the first time and asked him about this, he told me that he painted the police car… problem solved.
Even though I don’t know the artists (yes artists), I have posted this for two reasons. Firstly I love the composition and transition of blues and secondly because I discovered a piece I had never seen before while photographing the blue faces.

The blue faces piece, although relatively simple in design has been beautifully executed, with each face in a slightly different shade nestling neatly with the one next to it. The eyes give each face a different expression. It looks like it has been signed LEF. Take a good look at the top left hand corner of the piece and you can see a little piece of installation art that has been overpainted…

This is a piece which I assume had been in situ for some time, but which I had not noticed ever before. It is the kind of work that Will Coles might do, but it is not quite his style. Entitled mammal, it reveals bare breasts (something of a rarity in Bristol street art). I love this, and liked it even more for discovering it accidentally.
Two pieces for the price of one, but both artists unknown to me.
Doors 107 – even more archive street/graffiti art doors.
You know the drill. Even though I have been out and about a bit and have photographed quite a few doors lately, I haven’t yet had time to upload them on to my PC – so until such time as I get myself a little bit more organised, you might have top make do with yet another seelection of doors from my street art archive.
I am pleased to note that readers apppear to have enjoyed these galleries when I have posted them, which gives me the courage to continue with them when I need to.
These ones were photographed from September 2015 through to December 2016.

The pictures above and below are the same wall painted for two different Upfest events.







So that just about wraps it up for another week, I hope you have enjoyed these doors. I hope I can back to some more contemporary photographs next week, we’ll just have to see how that goes.
If you have made it this far, you probably like doors and you really ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
by Scooj