3249. St Werburghs tunnel (199)

I can totally see that Morny’s murals might not be to everyone’s taste, they are just not as polished as some of the stuff you see in Bristol, but I absolutely love them. While the characters may have a soft edge, the messages don’t, and Morny is not one for holding back.

Morny, St Werburghs, Bristol, September 2020
Morny, St Werburghs, Bristol, September 2020

We have a great many global crises to contend with at the moment, but the dominance of the coronavirus pandemic may have masked other environmental and political issues such as climate change and migration. The Tories are not known for their compassionate approach to migration, preferring an Australian style hard line. This piece from Morny is calling them out.

I think that this might be the best piece I have seen from Morny, it has a lot of emotion and is a very powerful image. You don’t have to have sharp lines and solid fills with patterns to create a great piece. I love this.

Collared earthstar

.

Autumn’s darling child

beneficiary of death

borne out of decay

.

by Scooj

3248. M32 roundabout J3 (257)

Robin Hood, Robin Hood riding through the glen… Well there you have today’s ear worm, sorry. This is a rather nice little piece from Veks, that is modestly tucked away near a tree on the M32 roundabout wall.

Veks, M32 roundabout, Bristol, September 2020
Veks, M32 roundabout, Bristol, September 2020

It is quite an unusual piece With large chrome letters and bang in the middle an old school character looking very much like Robin Hood to me, but I am probably wide of the mark on that one. Still, as with all art, there is what the artist paints and there is what the viewer sees and these may not be the same thing at all. I rather like this understated offering.

Recipe for disaster?

.

Trying something new

to avert criticism

but will they like it?

.

by Scooj

3246. Brunel Way bridge (62)

This is the second piece I have posted by Mudra, but it was the first that I photographed, and as with any first discovery I am rather fond of this modest piece. Bold and yet subtle colours have been used to create this funny looking portrait of a moustached man.

Mudra, Brunel Way, Bristol, September 2020
Mudra, Brunel Way, Bristol, September 2020

There is something aboout the simplicity of the piece that makes it all rather interesting. In particular, I can’t keep my eyes off the dark pink nose. Like the last piece I posted, this one also has a little @ with a hat, which I am assuming is Mudra’s tag. Lovely stuff from the Bristol newcomer.

3245. St Werburghs tunnel (198)

It would seem that this piece from Smak was painted at the same time as Inkie and Tizer painted it recently and that there was something of a paint jam going on. I think that Hemper and one or two others might also have been involved. I have to admit that paint jams in the tunnel are not my favourite because the poor lighting never does justice to the artwork.

Smak, St Werburghs, Bristol, October 2020
Smak, St Werburghs, Bristol, October 2020

As always the work of Smak is of a consistently high quality and there is a lot here to admire in both shape and colour. Each letter is painted with care and attention and there is a phenomenal amount of detail and design behind each one. Another great piece of graffiti writing.

The chase

.

Ever was it thus

neurotic cat and crazy dog

old adversaries

.

by Scooj

3244. John Street (8)

I would like to capture more of Conrico’s work than I do, but he tends to paint a lot in places that I don’t go to very often or at all, so it is always great to find a piece like this one in an archway in John Street.

Conrico, John Street, Bristol, September 2020
Conrico, John Street, Bristol, September 2020

This open air gallery is one of the most refreshing things to happen on the legal wall side of things to happen in Bristol for a long time, and I hope that when the development is finished that the gallery is continued, although I am not optimistic. The piece itself is a little bit weird and I am not too certain what is happening. The central character with big hair appears to be telling the bugs not to touch the light, or he is being warned not to touch the light. Either way, touching the light seems to be a bad idea. This is an unusual pieceand I’d love to know more about the story behind it.

3243. St Werburghs tunnel (196)

What a lovely surprise to come across this Tizer piece so soon after his last visit to Bristol. I rather hope that this is going to become a bit of a ‘thing’. This one was painted alongside Inkie and is in the expected writing/character format that Tizer favours.

Tizer, St Werburghs, Bristol, October 2020
Tizer, St Werburghs, Bristol, October 2020

The colours are a little comprimised due to the lighting in the tunnel, particularly on the left side of the piece where the yellow tones start to dominate. Consistent with his way of working, I suspect that the piece is freestyled, which gives the letters a freedom that some rather more formulaic writers might struggle with. The multi-coloured fills are superbly well done and the female character on the left is sporting a fine pair of specs. More please.

Getting personal

.

COVID creeps closer

school year eleven bubble

confined to barracks

.

by Scooj