This is an absolute beauty from Kosc, who has been dazzling us all year with his outstanding craft and innovation. The stylised portrait and writing piece has overtones of American art deco about it and reminds me of the Chrysler building in New York.
Kosc, M32 roundabout, Bristol, December 2022
The grey and white colour selection is a combination that works really well together, creating a metallic appearance through the whole piece. Set on a muddy green background, the piece is modest and yet highly impressive. Another outstanding piece from Kosc.
Klashwhensober, St Werburghs, Bristol, December 2022
I think that it is probably safe to say that Klashwhensober has had a great year and that he is likely to have been Bristol’s most productive graffiti writer in 2023. I have been doing a bit of a trawl through my archives, and will shortly be sharing a host of pieces by Klashwhensober that never made it into this blog.
Klashwhensober, St Werburghs, Bristol, December 2022
This recent piece in the tunnel, spelling SOBER, is a stunner in which Klashwhensober has gone for a vertical split with the colouring (that faithful combo of pink and blue), and a smoking ‘volcanic’ rift between the two halves of the piece. This is beautifully painted and presented and offers real depth and movement. Fine work indeed. Look out for a Klashwhensober post in a few days.
It was dark, and I was Christmas shopping when I passed by this shutter piece by Taboo in Nelson Street. I haven’t seen the piece in daylight since, so I don’t really know if the colours are a true representation in these pictures.
Taboo, Nelson Street, Bristol, December 2022
Taboo does paint rather a lot of shutters, and it would seem that he enjoys it, although it can’t be easy to do them, because of the textured surface. In common with several of his works, Taboo has incorporated a trippy Mickey Mouse character into his unruly letters. There is always so much to look at and admire in Taboo’s work, and I love the smiley peeping the first letter and the long ghoul-like fingers. I have been bamboozled by the letters, and am not too sure what they spell, APOS or OPOS maybe? A nice piece nonetheless.
There was a little bit of an RBF crew party in the tunnel just before Christmas, with a great turnout, and one of the artists, whose work I have not seen much of, is Wispa. Her writing and character might have been the pick of the bunch on account of the snowman, I mean who can resist this guy at Christmas?
Wispa, St Werburghs, Bristol, December 2022
Wispa is clearly an accomplished writer who typically writes WISP and occasionally adds a character, and with this piece she has smashed both. The letters are nice ones to play with, and give plenty of scope for fills, curves and straight lines. The triple border works really well, picking out the letters and helping them to stand out from the wall.
Wispa, St Werburghs, Bristol, December 2022
Raymond Briggs, may he rest in peace, would have loved this faithful rendition of his loveable character, right down to the cross-hatching on his hat and scarf. This is a fabulous Christmas piece from Wispa. I hope she comes back to Bristol soon with more great work.
Benjimagnetic, M32 Cycle path, Bristol, December 2022
A constant high-performer in Bristol is Benjimagnetic with his highly disguised abstract letters that usually, but not always, spell out BEN. This nice little reminder o0f his talent is on the M32 cycle path, immediately below the motorway. It is a good spot to paint if there is light rain or the threat of rain, as it has a bit of an overhang to shelter under.
Benjimagnetic, M32 Cycle path, Bristol, December 2022
Benjimagnetic always chooses a clever colour palette and then works his magic, rather like a choreographer, placing each of the elements and details in exactly the right place, to create a pleasing end product that can be viewed superficially or in more depth. A nice piece from the artist.
Acer One and Andy Council, Temple Way, Bristol, December 2022
I have driven past this piece countless times on my way to Temple Meads station, and always meant to stop for a couple of pictures, but I only got round to it about a month ago…it sometimes happens you know.
Acer One and Andy Council, Temple Way, Bristol, December 2022
The innovative collaboration is by Acer One and Andy Council, who have done so many collaborative pieces in recent years, and rarely produce anything other than outstanding work. The piece is entitled Hybrid, and I am guessing that it is a reference to their different styles working together. The collaboration feels a bit like a half-finished page from a colouring in book, and I wonder whether Andy Council has considered producing a colouring book… on this evidence he could probably create a whole new income stream.
A fabulous collaboration, shared with you at last.
As I mentioned last week in a post featuring Acer One’s tribute to Dring (a friend to many in the Bristol street art community) there would be other tribute pieces out there, and this one is of them, by 3Dom.
3Dom, M32 roundabout, Bristol, December 2022
It feels like an age since I last posted anything by 3Dom, so I am assuming that he must be busy with ‘real life’ at the moment, but he has managed to find time to paint this beautifully crafted tribute. The letters are stunningly presented, with an atmospheric fill, all topped off with a bright yellow star on the ‘i’. It feels like Dring will be sorely missed.
I sincerely hope that we will be treated to a whole load more EVEN pieces by Evey this year, as I think she is one of the most improved artists during 2022. The more she paints the better she will get, and we are already seeing signs of more adventure in her work.
Evey, St Werburghs, Bristol, December 2022
This is a lovely piece from a recent RBF paint jam (there were two in quick succession) which has been finished very tidily. The five horizontal fills work nicely, and the borders and highlights are neat and tidy, bar a few yellow drips, which are rather nice. All in all a very pleasing piece of graffiti writing from Evey.
Happy New Year! I am in good shape this morning, as my boozing days are largely over and I had a quiet night in last night with just me and Mrs Scooj and the dog. We had been planning a small party, but Mrs Scooj was hit with a rather nasty bug, so that put an end to that.
It was a very cold day indeed when I met Acer One prepping this piece so I was able to stop for a chat and ask him about the piece, as he was using letters I was not familiar with. Acer One explained that it was a tribute piece for a recently deceased friend to many artists in the Bristol community, Dring.
Acer One, St Werburghs, Bristol, December 2022
The colours used in this piece are sober and the design gentle, without quite so many straight lines and angles that we are used to seeing from Acer One. A fitting tribute to a man who obviously had a profound impact on the artist. RIP Dring.
This gorgeous Christmas treat from Ceus brings him back to a wall that he is really rather fond of, and one which is where I first became aware of his fine writing. There appears to be a Battle Royale going on with the warm and cold colour selections used in the piece, producing a stunning effect.
Ceus, Dean Lane, Bristol, December 2022
Ceus has settled into a great rhythm with his graffiti writing in Bristol, and he is fast establishing himself within the community. I love it that we have such a vibrant overseas community of artists in Bristol, adding a multicultural layer to the already enormous spectrum of street art that we are privileged to see here