2559. Upper York Street (17)

Sled One is hitting a bit of a purple patch just at the moment, and his Instagram feed is overflowing with recent pieces from all over the country. This is a reasonably recent collaboration with Ments and is located on a wall that both artists are familiar with.

Sled One, Upper York Street, Bristol, October 2019
Sled One, Upper York Street, Bristol, October 2019

Whether it is graffiti writing or character pieces, Sled One simply knocks it out of the park every time, and his writing in particular seems to embrace so many different styles and techniques. Although you can pretty much always identify the work as his, he has a very broad range of letter shapes and styles and no two pieces are remotely the same, unlike some artists who use the same essential building blocks for every piece. A master at the top of his game.

2548. L Dub (8)

I only make occasional trips to L Dub, which is OK, because the turnover isn’t quite up to the same level as it is in places like Dean Lane for example. Those rare visits though are totally worth it, and the dog rather enjoys the trip too.

Smak, L Dub, Bristol, October 2019
Smak, L Dub, Bristol, October 2019

This lovely piece of writing by Smak was alongside the Sled One mermaid which I posted a little while back, and the subtle colour selections work so well placed on the cloudy sky background. I am a fan of clouds, and since I started playing around with spray paint I have been looking at clouds a whole load more to make sure I don’t make silly mistakes (for example clouds that are darker on the top than on the bottom – it just doesn’t happen). Nice to see this Smak piece, it feels like a while since his last one.

2546. St Werburghs tunnel (108)

Another day, another Fiva piece in St Werburghs tunnel. This piece is perhaps a little less elaborate than some we have seen recently and there is no accompanying character, but it retains all the great hallmarks of Fiva’s fabulous work.

Five, St Werburghs, Bristol, October 2019
Five, St Werburghs, Bristol, October 2019

Brick walls in street art are something of a ‘thing’ and are painted as a backdrop by many Bristol (and other) artist to great effect. Fiva’s large full caps letters stand out from the brick background and are beautifully filled with a graded colour scheme and spots. All in all a lovely addition to this artist’s growing catalogue of pieces.

2541. St Werburghs tunnel (107)

One of the great things about Kleiner Shames is that he keeps coming back to Bristol and when he does he usually drops one of his stunning pieces which are always most welcome. The light in St Werburghs tunnel really doesn’t do the piece justice and it would be nice to see his next piece somewhere with more natural light.

Kleiner Shames, St Werburghs, Bristol, October 2019
Kleiner Shames, St Werburghs, Bristol, October 2019

Kleiner Shames was one of the first writers that I really appreciated and his work led me gently into the world of graffiti writing, which I had previously not engaged with much. It is definitely an acquired taste and takes some getting used to, but it requires as much skill and technique as other forms of street art. Kleiner Shames is a master of introducing a mature designed feel into his street work. Such a shame he doesn’t still live in Bristol.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2538. St Werburghs tunnel (106)

An unusual piece by Face 1st in St Werburghs tunnel, unusual because it is writing without a character. I think this is the first time I have seen this from him although he quite often does character pieces without writing.

Face 1st, St Werburghs, Bristol, October 2019
Face 1st, St Werburghs, Bristol, October 2019

Simple in its construction and tidy in his use of fills this is a rather fun piece, and it has lasted well in the tunnel where the turnover is often quite rapid. I particularly like the orange and red stripes on the ‘A’  – something for me to go away and practice. Also you might notice one of his girl faces at the base of the ‘F’. Always good to see Face 1st breaking boundaries.

2528. Dean Lane skate park (257)

Consistently out there and consistently upbeat Mr Draws continues to create his inspiring and light-hearted pieces wherever he can find space. I have just updated his gallery on Natural Adventures, and he really has been very busy over the last three years.

Mr Draws, Dean Lane, Bristol, October 2019
Mr Draws, Dean Lane, Bristol, October 2019

Mr Draws is quite unlike any of the other writers in Bristol and I would say that his style and fills are slightly unconventional. His lettering is reasonably straightforward, but the way he decorates his pieces is what brings them alive. In this piece I rather like the subtle shadow he has sprayed just to the left of the ‘D’ to lift it out from the wall a little. Nice technique.

2527. Dean Lane skate park (256)

There haven’t been nearly enough pieces by Hire in my view in the last twelve months or so. I like his unusual Gothic, almost brutal writing style that conjours up images of hardened steel weapons of the middle ages, or at least that’s what I see.

Hire, Dean Lane, Bristol, October 2019
Hire, Dean Lane, Bristol, October 2019

On the curved wall of Dean Lane, this one I am guessing spells out HIRE, but I have to confess that I can’t see it, so it might say something else. Hoping for more from this fabulous writer and now that Nevergiveup has moved to Bath, we will need his menacing rabbits more thasn ever to keep us going.

2524. St Werburghs tunnel (104)

It tends to be fits and starts with Mr Klue’s street pieces these days. You can wait for an age for something new, and then suddenly there is a rush of them – let’s hope tghat this is the beginning of such a rush.

Mr Klue, St Werburghs, Bristol, October 2019
Mr Klue, St Werburghs, Bristol, October 2019

In one of his favoured spots at the Farm end of St Werburghs tunnel, this abstract street artist has given us another of his magical pieces of writing, which usually spell out KLUE, but I am not sdo sure about this one. He has used colours that I would most associate with Mr Klue, that is, purple with white accents and a touch of green. Great to see a new piece from him.

2519. Shoreditch, London (33)

Tizer is possibly the best known and most respected graffiti writer in London. Quite a claim I know, but that is how it looks from the outside. This picture was taken earlier in the year on one of my visits to London, but has remained in my archive for far too long.

Tizer, Shoreditch, London, April 2019
Tizer, Shoreditch, London, April 2019

Tizer is one of those graffiti writers who is gifted both in his letters and in his characters too and there is so much to admire in his work. This piece just has a feel of effortlessness about it, but there is quite a lot of complexity there too. There is an obvious ‘TIZER’ making up the piece but along the bottom half I can see ‘EXODUS’ – now I might be seeing things or making it up but that is what it looks like to me. Whatever it says (if anything) this is a cracking piece.

2511. Dean Lane skate park (255)

An absolutely gorgeous collaboration from Kash and Flava136 on the large wall at Dean Lane skate park. Although I have not posted anything by either artist on Natural Adventures before, I have been an admirer of the work of Flava136 for a while.

Kash, Dean Lane, Bristol, September 2019
Kash, Dean Lane, Bristol, September 2019

Kash is an artist I have not come across before or at least I have I have done so unknowingly (have to check those archives again). I have taken a look at Kash’s Instagram account, which is private, but the avatar image is taken from this piece, so its obviously something the artist is proud of. The writing is in a 3D style and resembles slightly a mash up of Dibz and Lokey in my mind at least.

Flava136, Dean Lane, Bristol, September 2019
Flava136, Dean Lane, Bristol, September 2019

The brilliant character in a spaceship is the work of Flava136, and although this is the first time I have posted his work here it is most certainly not the last. There is something really easy on the eye about his tone and colours, but it is his character that brings the piece alive.