7047. M32 roundabout J3 (696)

Subtle, Ulow and Minto, M32 roundabout, Bristol, May 2025
Subtle, Ulow and Minto, M32 roundabout, Bristol, May 2025

This fine trio of pieces was painted as part of Hypo’s birthday celebrations, and brings together Subtle, Ulow and Minto – quite a line-up. There is a whole lot of colour and talent on display, marking out this section of wall as being a bit special.

Subtle, M32 roundabout, Bristol, May 2025
Subtle, M32 roundabout, Bristol, May 2025

To the left, Subtle has created a masterclass of colour and design, with some wicked letters spelling HYPO, set on a fabulous red background with pink spots, looking like wrapping paper around the writing. Outstanding stuff.

Ulow, M32 roundabout, Bristol, May 2025
Ulow, M32 roundabout, Bristol, May 2025

We don’t get to see Ulow’s work all that often, so it is always a great pleasure to come across one of his characters. The superb presentation of different tones and shades create a wonderful 3-dimensional effect as if the character is walking straight out of the wall. A combination of simplicity and complexity all in one character piece.

Minto, M32 roundabout, Bristol, May 2025
Minto, M32 roundabout, Bristol, May 2025

Rounding off the trio is this busy piece of writing from Minto. The style here has as much to do with what is absent as it does with what is present, a little bit like Benjimagnetic’s writing. Lots of colourful splashes and unfilled spaces combine to spell out MINTO, in a complex arrangement. Altogether an outstanding collaboration. Bravo!

7046. St Werburghs tunnel (515)

Mr Klue, St Werburghs, Bristol, May 2025
Mr Klue, St Werburghs, Bristol, May 2025

The emphasis of this post will walk through how augmentation works. In street art circles, augmentation (adding to an existing piece) is relatively rare and can be considered as a little insulting to the original artist, or lacking in creativity. On the other hand, it can be seen as flattering and complementary to the original work. Here is a wonderful example of a piece by Mr Klue that has been augmented by Posh.

Mr Klue, St Werburghs, Bristol, May 2025
Mr Klue, St Werburghs, Bristol, May 2025

This rather nice purple ‘KLUE’ abstract writing has been hanging around at the entrance to the tunnel for quite a while, which doesn’t really come as much of a surprise as he kind of ‘owns’ this spot, by occupation at least. The purple is beautifully picked out with white and yellow highlights that create wonderful depth to the piece. Now all is just fine and dandy, and then along comes Posh!

Mr Klue and Posh, St Werburghs, Bristol, July 2025
Mr Klue and Posh, St Werburghs, Bristol, July 2025

Quite a while after this piece was painted by Mr Klue, Posh came along and added into it three posh characters, in yellow, picking out some of the colour in the original piece. These ‘toffs’ have a strong political message, one that picked up a lot of coverage at the Glastonbury Festival, ‘Death 2 the IDF’. Once again, street art acts as a wonderful commentary on contemporary issues, and has an important role to play in free speech and expression. This is a great example of how augmentation can work really well, and Mr Klue thought it was rather funny.

7045. Dean Lane skate park (849)

Hire and Sait Bare, Dean Lane, Bristol, July 2025
Hire, Dean Lane, Bristol, July 2025

This piece from Hire had me raising my eyebrows, in a good way, because it is quite unlike anything I have seen from him before. I would normally associate his work with quite intricate, spiky, angular letters, but here he has gone for something altogether softer and more fluid – to be honest I hind it a little disorientating. (Update – I am being particularly dense, the writing is, of course, by Sait Bare, which is why it is so different in style. I couldn’t see the wood for the trees.

Hire, Dean Lane, Bristol, July 2025
Hire, Dean Lane, Bristol, July 2025

The combination of letters and two characters works well, with a face on the left and one of his trademark rabbits (see, it is spiky) to the right. The letters have a traditional 3D drop shadow with black and red stripes. This whole thing looks like Hire is experimenting a bit, departing from his customary style, and that has to be applauded.

7044. Brunel Way (320)

Zinso, Brunel Way, Bristol, July 2025
Zinso, Brunel Way, Bristol, July 2025

Zinso has made a big impression in Bristol in recent months having burst onto the scene earlier this year. He took over this entire wall, buffed it out with white paint and then painted six pieces, in pairs, each with a small and a large piece. I guess it is one way of getting in some practice. I have split the total production into three posts of which this is the first.

Zinso, Brunel Way, Bristol, July 2025
Zinso, Brunel Way, Bristol, July 2025

Both the small and large piece are in a bubble-writing style, although the larger one is rather more sophisticated. The small piece has alternate colours for the letters, has a tidy drop shadow and neat red border. Great work. As for the larger piece, the fills are absolutely magnificent. Big, bold colours and some really nice shapes resembling calligraphy, create an outstanding overall impression. This is the work of a skilled, technical artist having a great day out. The full wall is shown below:

Zinso, Brunel Way, Bristol, July 2025
Zinso, Brunel Way, Bristol, July 2025

7040. L Dub (72)

Posh, L Dub, Bristol, June 2025
Posh, L Dub, Bristol, June 2025

Two things immediately leap out at me about this piece by Posh; first, I am always happy to find ANY pieces by him, because he paints quite infrequently (although he has been more active lately), and second, I have never seen his work at L Dub before, so was mildly confused and surprised to see it there.

Posh, L Dub, Bristol, June 2025
Posh, L Dub, Bristol, June 2025

This is a combination piece in which Posh has incorporated his little ‘posh’ characters into his letters. I can’t work out what the letters spell, and a glance at his Instagram doesn’t help me with that particular piece of detective work.  His little monocled figures are so full of character, mischief and fun and are an endearing element of his work. Looking out for more great work from Posh.

7039. Dean Lane skate park (849)

Dibz, Dean Lane, Bristol, June 2025
Dibz, Dean Lane, Bristol, June 2025

If ever you wanted an example of contemporary wildstyle writing at its best, you wouldn’t need to go any further than this exquisite piece by Dibz. The subtle tones and dark background are in harmony with this piece being a tribute to the late Tickz, hence the ‘rest in peace’ writing to the top left.

Dibz, Dean Lane, Bristol, June 2025
Dibz, Dean Lane, Bristol, June 2025

Everything about this piece is near-perfect. All the lines are sharp and clean, the fills tidy and unfussy, the white highlights consistent and bringing about a uniform 3D effect across the whole piece, and of course the halo in contrasting yellow. As tribute pieces go, this is about as good as it gets.

7036. Stapleton Road

Conrico, Stapleton Road, Bristol, June 2025
Conrico, Stapleton Road, Bristol, June 2025

There is so much more to this piece than first meets the eye. For a start, Conrico could have simply written his name on the wall, but no, he has treated us to an entire landscape into which his name fits.

Conrico, Stapleton Road, Bristol, June 2025
Conrico, Stapleton Road, Bristol, June 2025

The landscape looks like something out of The Lord of the Rings, Mount Doomesque. The meeting of the water and the sky in a dramatic fiery battle provides the perfect setting for the lime green 3D letters. The whole composition is balanced and exciting, and the whole is greater than the sum of the parts. Great work from Conrico.

Lupa

A gallery of fabulous, bold writing from Bristol graffiti writer and RBF stalwart, Lupa.

Instagram: @lup4_4

All photographs by Scooj

Lupa, M32 roundabout, Bristol, April 2025
Lupa, M32 roundabout, Bristol, April 2025

Lupa, Sparke Evans Park, Bristol, January 2025
Lupa, Sparke Evans Park, Bristol, January 2025

Lupa, Cumberland Basin, Bristol, January 2025
Lupa, Cumberland Basin, Bristol, January 2025

Desi and Lupa, M32 roundabout, Bristol, January 2025
Desi and Lupa, M32 roundabout, Bristol, January 2025

Lupa, M32 roundabout J2, Bristol, October 2024
Lupa, M32 roundabout J2, Bristol, October 2024

Lupa, Dean Lane, Bristol, February 2023
Lupa, Dean Lane, Bristol, February 2023

Lupa, M32 roundabout, Bristol, December 2023
Lupa, M32 roundabout, Bristol, December 2023

Lupa, Cumberland Basin, Bristol, November 2023
Lupa, Cumberland Basin, Bristol, November 2023

Lupa, Sparke Evans Park, Bristol, October 2023
Lupa, Sparke Evans Park, Bristol, October 2023

Lupa, M32 Cycle path, Bristol, October 2023
Lupa, M32 Cycle path, Bristol, October 2023

Lupa, Purdown, Bristol, May 2023
Lupa, Purdown, Bristol, May 2023

Lupa, Peel Street Green, Bristol, June 2023
Lupa, Peel Street Green, Bristol, June 2023

7031. Dean Lane skate park (847)

Fade and Dibz, Dean Lane, Bristol, June 2025
Fade and Dibz, Dean Lane, Bristol, June 2025

I think I was about five or six years old when I was given my first Asterix book. My mother was having her hair done and bought me ‘Asterix the Gaul’, to keep me occupied for the very boring two hour hair appointment. Not only did the distraction technique work, but it began a love affair I have had with these cartoon adventure books ever since. I still buy (in hardback) every new edition that is published, even though both the original author and illustrator (Goscinny and Uderzo) have now died. Imagine my excitement when I came across Dibz and Fade while they were painting this epic piece in Dean Lane.

Fade and Dibz, Dean Lane, Bristol, June 2025
Fade and Dibz, Dean Lane, Bristol, June 2025

I can’t really add much commentary about the artists that is new, and I have run out of superlatives to describe their work. The writing on the left, by Dibz is about as tight and sharp as you can get with wildstyle graffiti writing. The orange letters with a deep 3D drop shadow, which has a metallic sheen to it, spell DIBZ.

Fade and Dibz, Dean Lane, Bristol, June 2025
Fade and Dibz, Dean Lane, Bristol, June 2025

To the right hand side of the collaboration, Fade has adopted the colour selection for his piece, but, although subtle, his letters and style are a tad softer than Dibz’. A notable change in this collaboration is that the artists have swapped sides from their usual preference, which must feel a little bit like sleeping on the wrong side of bed. Maybe?

Fade and Dibz, Dean Lane, Bristol, June 2025
Fade and Dibz, Dean Lane, Bristol, June 2025

The centrepiece of this production is a near-perfect rendition of the druid Getafix, who makes the secret magic potion that gives our protagonists, Asterix and Obelix, their strength. The artists have been so true to the original artwork, Uderzo himself would have been impressed. This really is a remarkable collaboration and shows off Dibz and Fade at their very best. I’ll forgive them for the ‘Geta-graf-fix pun.

7030. L Dub (70)

DJ Perks, L Dub, Bristol, June 2025
DJ Perks, L Dub, Bristol, June 2025

Most of the artwork at L Dub is painted by a handful of trusts and one of the most visible of them is DJ Perks, and I was fortunate enough to meet him while he was painting a different piece on this trip. I think that it is the first time I have ever met anyone actively painting at L Dub.

DJ Perks, L Dub, Bristol, June 2025
DJ Perks, L Dub, Bristol, June 2025

This piece looks very much like a tribute piece, perhaps a birthday or something for Tisha. I am taking a wild guess that she might be one of his children, but whoever it is, it is a very fine piece of graffiti writing indeed. Some beautiful fills, and the subtlest of white highlights adding a little 3D vibe. Very nice work from one of the most modest artists in Bristol.