Shutters are the pits. I must have walked past this beautiful piece by Shab hundreds of times, but only when the shutter was up, so have never seen it before. I understand it has been there for some years, but I only saw it early on a Sunday morning a couple of weeks ago.
Shab, North Street, Bristol, June 2019
I haven’t seen anything from Shab in absolutely ages, so to find this was actually most gratifying. I have always loved his outlined abstract figures and his trademark eyes are always so beautifully done. There were some other shutter pieces here on the front of the North Street restaurant and I will post these in due course. This was like meeting an old friend.
Recently on the long wall at Dean Lane skate park was this No Frills extravaganza from Biers, Slim Pickings and Bags. It seems that these guys, and they are not alone, are well and truly out of hibernation and painting furiously at every opportunity.
Biers, Dean Lane, Bristol, June 2019
On the left is a wonderful ‘creature from the wack (sic) lagoon’ by Biers set in his ‘O Yeah’ writing. I do like his character-writing work and the shapes of his letter style is pretty unique, and I know how hard he works on drafting these pieces because he shares his sketches regularly on Instagram. It is great to see them come to fruition.
Slim Pickings, Dean Lane, Bristol, June 2019
In the middle of this collaboration is the distinctive ‘Tes’ of Slim Pickings forever reaching out for perfection in this form of writing. I don’t think I have ever knowingly seen anything by him that isn’t a version of this. A master of consistency and colour combinations.
Bags, Dean Lane, Bristol, June 2019
Finally on the right is a piece by an artist I still know nothing about other than that he is in the No Frills crew/movement, Bags. His letters are large, clean and bold. You can see how he has used the brick-line to fade between the two shades of filling, a great technique for getting straight lines. Looking forward to seeing more from Bags and maybe if I get lucky coming across this lot when they are out painting.
I found this wall quite by accident a couple of weeks back. I had spotted a whole ton of graffiti (nothing much to write home about) along the bank of the River Avon, but to access it I had to go through Sparke Evans Park. I had never been here before and didn’t even know it existed. On the outer boundary wall of the park I spotted some bright colours behind the trees and it turned out that there were several rather nice pieces here, including this collaboration between Face 1st and Tasha Bee from some time in 2018.
Face 1st and Tasha Bee, Sparke Evans Park, Bristol, June 2019
I had seen this piece on Instagram, but had no idea where it was, so it was good to get closure on it. I don’t really need to tell you how much I like the work of these two artists, and they have a style and preference for soft colours that makes their collaborations so easy on the eye. The two central figures are by Tasha Bee and the faces on either side by Face 1st. To have found this alone would have been reward enough, but on this particular walk I managed to find a bunch of other stuff too. I think the turnover on this wall is very slow, so I don’t think I’ll be returning too often, it is a bit out of the way.
Happy 4 July to all those for whom it is a holiday. Here in the UK it is just another day, but it is Thursday, and that means doors.
I am being a little lazy this week using archive material to bring you the same door in Moon Street, one of my favourite street/graffiti art spots, but with different looks over the last few years – I might do this with a few more graffiti doors when I am pushed for new content.
With apologies to regulars who might have seen most of these images before.
Face 1st, Moon Street, Bristol, May 2019Panskaribas, Moon Street, Bristol, March 2019Run Z, Moon Street, Bristol, January 2019Laic217, Moon Street, Bristol, August 2018Laic217, Moon Street, Bristol, June 2018Coloquix, Moon Street, Bristol, August 2016Laic217, Moon Street, Bristol, February 2017
That just about wraps it up for this week, maybe some more Dorchester doors next time. Please go take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
This column piece under Brunel Way bridge is unmistakably by Pekoe, and what a pleasant surprise it was to find it on a recent trip to the whole Cumberland Basin area. The last work from Pekoe that I saw was a collaboration with Mr Sleven at the M32 roundabout, which was rather splendid as I recall.
Pekoe, Brunel Way Bridge, Bristol, June 2019
This small piece, which is typically bright and colourful, includes a theme that Pekoe is very fond of, a third eye. I don’t know what these columns are like to paint, but I can tell you that they are a devil to photograph because of the variable light, and because cameras can’t take pictures round corners, or at least mine can’t. Nice work from Pekoe.
Well these two seem to have come out of hibernation, and this is one of two recent collaborations between Soge and Hire. These two are both Polish artists who have adopted Bristol as their home and have been collaborating for a few years now.
Soge, Dean Lane, Bristol, June 2019
On the left is a fine and rather complex piece of writing by Soge, which does actually spell out SOGE although it is highly disguised. His style is like a kind of organic Gothic and seems to be from the same school as Hire and quite unusual for Bristol. Long thin sections of lettering with sharp points, this is technically very difficult and brilliantly executed.
Hire, Dean Lane, Bristol, June 2019
On the right is one of Hire’s trademark rabbits which are altogether more ‘street’ and sinister than the rather cuddly rabbits painted by fellow countryman Nevergiveup. There is a lot of menace in this rabbit – not one I’d like to meet on a dark night – and you can see how the fur, all pointy, reflects the style in Soge’s writing. These two would seen to enjoy each other’s company and it is a pleasure to see them back out and painting again.
Nightwayss is on fire, not literally of course, that would be mad. His work is appearing all over the place, and not necessarily just in the more common spots. This intriguing piece is sandwiched between Face 1st and Panskaribas and depicts a monkey sitting on a bathroom sink looking in a mirror.
Nightwayss, M32 roundabout, Bristol, June 2019
I think this is brilliant and tells a story which I would like to know a lot more about. why is the monkey there is the first place? Is it metaphorical? Why is the reflection a different colour? I love this piece, there is something magical about it.
Natural adventures 