Great colours, great graffiti writing. There isn’t an awful lot more to say about this lovely piece from Corupt, on the Mina Road side of the M32 roundabout. I’m not sure whether I prefer his STICK lettering or his CORUPT lettering, each offers something different, but I would probably say his most memorable pieces have been STICKs.
Corupt, M32 roundabout, Bristol November 2021
I have seen dozens of photographs of this piece on Instagram, and it certainly seems to have been popular. It is beautifully crafted and the fills are so well worked and have great variety. The BS3 refers to the postal code, and often appears on Corupt’s work. A really lovely piece of writing.
Dott Rotten strikes again with this magnificent art rather large Spoilt piece on the M32 roundabout. He has been enjoying these rather large-scale pieces recently and definitely makes the most of the available wall space.
Dott Rotten, M32 roundabout, Bristol, December 2021
There is an autumnal/winter feel to this piece, with muted colours, and the overall superb skill in bringing all the elements together is masterful. The fills, the lines and the design are all really tight. This is a very accomplished piece and to top it all off Dott Rotten has added an Orko character from 1980s cartoon series He Man.
I cannot begin to explain how much joy this collaboration, on two of the arches (part of a larger four arch spread) on the front of The Carriageworks, gives me. This once popular spot was fenced off for development in 2018, and I feared that we would never see any street art on these arches again. Two weeks ago, the covers came off the building site and the facade of this building has been retained along with the four arches, and it took the Pirate Wall Art (PWA) crew no time at all to repossess these ‘canvasses’.
Face 1st, Chill and Soap, The Carriageworks, Bristol, December 2021
On the left is a three way mash up with Face 1st at the top, Soap on the right and possible new recruit into the crew, Chill. Everything about this is very PWA and how appropriate it is that they should be the first to recolonise this spot. I wonder how long it will be before anti-graffiti paint is applied by some killjoy who understands nothing about the area. We will wait and see, but in the meantime we can enjoy stuff like this.
Face 1st, Nightwayss and Soap, The Carriageworks, Bristol, December 2021
On the right hand arch is a classic Soap/Face1st mash up piece, the likes of which often made an appearance on this very wall in years gone by. This is a fabulous nod to those great times and maybe, just maybe, we’ll get to enjoy plenty more in the future. I’ll be posting the other two arches soon.
Face F1st and Soap, Stokes Croft, Bristol, December 2017
One of the most enjoyable thing about chronicling street art and graffiti is that every day has the potential to bring with it surprises. Those surprises are like gifts, presents from the artists to anyone who cares to enjoy their work. This lovely collaboration from Ros(z)alita and 3F fino was part of a larger collaboration that included Tao.create, but I am reserving her piece for a later date.
Rosalita and 3F fino, Dean Lane, Bristol, November 2021
This is as special as it is unexpected, and although these two have collaborated before, I think that this is so nicely done and combines their styles and preferred subject matter really well.
Rosalita, Dean Lane, Bristol, November 2021
On the left is another carnival face from Rosalita (who now spells it Rozalita, hence the discrepancy in the body of this text), where the makeup this time is much more in the style of a Venetian masquerade mask. The frilled collar adds to the clown element of the piece. Beautiful.
3F fino, Dean Lane, Bristol, November 2021
To the right, a slightly more edgy character by 3F fino is apparently spraying the clown. I often wonder with pieces like this whether they are self-portraits, or at least based on self. There are some nice elements to this cartoon-style character and his cans, and the clothes and face mask all add to the ensemble.
All in all a nice, large and vibrant collaboration from these two.
I tend to prepare posts in advance for my street art blogs, perhaps as many as twenty pieces lined up and prepped for written content to be added. It is sorting and sizing the images that takes the most time. Downloading a stream of conscious thought can be surprisingly quick, largely because most of it is conversational nonsense, like this, and comes naturally.
I say all of this because it is quite coincidental that this lovely piece by Benjimagnetic, which has been lined up for some time, is ready for posting just two days after I met the artist for the first time.
Benjimagnetic, St Werburghs, Bristol, November 2021
I have noticed that Benjimagnetic seems to be toying with some different design ideas lately and moving away from his quite scratchy abstract writing and transitioning into more solid and colourful pieces, while keeping the essence of his style. It is a difficult transition to describe, but it is definitely happening. For me, I have to say that I am definitely liking his new work a lot, and hope this is more than just a passing phase. A superb tunnel piece.
On the fabulous curved wall at Dean Lane skate park is this nice LRS collaboration featuring Veee and Werm (formerly known as Eman). The centrepiece is the main attraction here, or at least it is the most eye catching and is by Veee.
Veee, Dean Lane, Bristol, November 2021
Veee, from Weston-super-Mare is painting ever more frequently in Bristol, and his trademark characters, of which there are a couple, are appearing across the city. This ‘lion’ character, with symbols for eyes, is rather fun and compelling and impossible not to like.
Werm (Eman), Dean Lane, Bristol, November 2021
Werm’s contribution to the collaboration is this quick LRS crew throw up, adopting the block letters that he has been enjoying of late. Two things I don’t understand about Werm… how on Earth does he afford all the paint and how does he have so much time to paint. I don’t expect answers and I don’t really care too much, the key is that he keeps going and keeps improving.
I like the work of Mind Control very much, although the theme of his pieces often carry an underlying threat of violence, which I am not so keen on, and this piece in the gloom of St Werburghs tunnel is one of those pieces.
Mind Control, St Weburghs, Bristol, Novemmber 2021
It turns out though, that it is a tribute piece to a young man called Josh Schoolar who died last year, in Manchester. Josh was an activist who had been out to Syria (joining the International Freedom Battalion) to fight against Isis, and this piece is painted from a photograph of Josh from that time.
In his memory, Josh Schoolar’s family set up an annual fund of £300 for an up and coming young street artist, and Mind Control was the first recipient of this award, and painted this tribute piece as a thank you.
I have learned that it is important to understand what lies behind a piece of artwork as well as simply seeing what is in front of you. This is not a violent piece at all, but a fond and heartfelt recognition of a young life lost.
Natural adventures 