3404. M32 Spot (98)

What a delightful surprise and late Christmas present from Epok and Sepr at the very top end of Stapleton Road. It is especially nice to see Epok back in Bristol, as he seems to do most of his writing in the Stroud area in abandoned buildings that I haven’t yet discovered.

Epok, M32 Spot, Bristol, December 2020
Epok, M32 Spot, Bristol, December 2020

I think the last piece I saw from Epok was back in July in the ASK collaboration in New Gatton Street, so this is a long-overdue treat. Epok’s writing really is out of the top drawer and his heavily designed shapes and colour schemes never cease to amaze. The letters here spell EPOK, but it might take a little while to ‘get your eye in’.

Sepr, M32 Spot, Bristol, December 2020
Sepr, M32 Spot, Bristol, December 2020

To the right of the glorious Epok writing is a witty reflection of 2020 by Sepr. Last year will be remembered as the one when irrational panic buying of toilet roll became almost as widespread as the Covid-19 virus. Here Sepr has painted a loo roll (avec crown) seeing in the New Year with a bottle of wine.

Epok and Sepr, M32 Spot, Bristol, December 2020
Epok and Sepr, M32 Spot, Bristol, December 2020

Finding this collaboration pretty much made my day and was a perfect way to wave goodbye to 2020.

3403. St Werburghs tunnel (217)

One of the most consistent Bristol graffiti writers (plus characters) of 2020 was Taboo, whose imaginative and unconventional creations brightened up walls all over the city. Although not to everyone’s taste, his unique style and obvious (underplayed) talent brought us a succession of notable and humorous pieces.

Taboo, St Werburghs, Bristol, December 2020
Taboo, St Werburghs, Bristol, December 2020

This one in St Werburghs tunnel takes us deep into his root style of oddly shaped letters (spelling TABOO), his favourite pink and black colours and a sense of anarchy that I really like. I had to auto-fix the colours on Photoshop for this one, without which the whole thing looked yellow from the horrible lighting in the tunnel.

Sofa snooze

.

Woken by the sound

of my own heavy breathing

perfect pm nap

.

by Scooj

3402. Dean Lane skate park (374)

When you immerse yourself in the world of street art and graffiti writing in the way that I and many others do, you develop a deep sense of how good the art is in terms of technical skills, emotional grab, story telling, colour sense and so on. And sometimes you need only glance at a piece for a second to realise that it is truly outstanding and on a different level. This is how I felt when I saw this from Smak in Dean Lane a week or so back.

Smak, Dean Lane, Bristol, December 2020
Smak, Dean Lane, Bristol, December 2020

It feels like seeing something in CinemaScope for the first time when you are used to a smaller format. The letters spelling SMAK are perfectly arranged and the colours and fills, with a metallic feel, are outstanding. For me, this is a great example of perfect graffiti writing, and such a wonderful Christmas gift from Smak.

3401. St Werburghs tunnel (216)

Holiday breaks are good for so many reasons, especially the opportunity to free up some time to do the things we love. There has been a big upsurge in productivity of street/graffiti art over the Christmas period in Bristol and my photograph folder for December is heaving. Having only seen a few pieces this year from Mr Sleven and Mr Klue, it was great to see this collaboration, the second in as many weeks from this pair in the St Werburghs tunnel.

Mr Sleven and Mr Klue, St Werburghs, Bristol, December 2020
Mr Sleven and Mr Klue, St Werburghs, Bristol, December 2020

These two create fully integrated collaborations, which I love, where their art becomes a synthesis of their styles, rather than two adjacent pieces in similar colour schemes. The Grinch has made a lot of appearances on the walls of Bristol this year, perhaps as a conscious/unconscious reference to COVID-19 spoiling things a bit. Here, Mr Sleven’s nicely drawn Grinch is emerging from a wispy Mr Klue atmosphere. This is a fine piece and there is a nice reference to COM.64 – the crew that these two belong to.

First snow

.

Icing sugar dust

just enough to turn green white

winter in full bloom

.

by Scooj

3400. M32 Spot (97)

Rosalita has been smashing it out of the park lately and this new column piece under the M32 is just the latest in a string of fine works she has created in the area. From what I have seen, Rosalita is particularly fond of painting carnival faces which she does on walls but also with the application of makeup on people, which she has a talent for.

Rosalita, M32 Spot, Bristol, December 2020
Rosalita, M32 Spot, Bristol, December 2020

Rosalita (who often signs her pieces RAW, has nothing to do with the Bristol-based crew Read and Weep, and that the use of the same initials is entirely coincidental) has used the column space perfectly and flooded it with colour and drama. The piece is a little unsettling, with the orange eyes dripping onto the cheeks. Great to see more from Rosalita. Keep it up!

3399. Dean Lane skate park (373)

Rezwonk is an artist whose work I simply haven’t seen enough of this year, I guess we have been spoilt previously by the frequency with which he was hitting walls, and it was inevitable that it would slow down at some point. A similar pattern has been shown by Decay, and it is interesting that these two who used to collaborate a lot, haven’t done so for a long while.

Rezwonk, Dean Lane, Bristol, December 2020
Rezwonk, Dean Lane, Bristol, December 2020

This Fabulous piece of graffiti writing in a frosty cold blue (to match the winter temperatures) looks like it was painted n collaboration with a Pekoe piece just to it’s left (coming soon). As well as the technical brilliance of the piece with it’s riveted sections, the prep work has made all the difference with the fully buffed wall in a neutral colour lending support and focus to the writing. A fine piece from Rezer.

Below zero

.

A proper winter

just how I remember it

frosty cold and dry

.

by Scooj

3398. Brunel Way bridge (83)

It is very difficult for me to keep up with the massive productivity of street/graffiti art in Bristol. As it is, I only post a fraction of the pieces I photograph here on Natural Adventures. The rest go into the archives, which is a real shame but that is how it is. Seasonal pieces, such as this one from Mr Draws are nearly always out of sync because I have a queue of pieces waiting to post – an artefact of the system I use.

Mr Draws, Brunel Way, Bristol, December 2020
Mr Draws, Brunel Way, Bristol, December 2020

I love this one from Mr Draws – it has a generous and kind spirit about it and manages to convey the moments of Christmas cleverly by incorporating Christmas puddings, lights and a Christmas tree. The letters are sharp, and it looks like Mr Draws has put a lot of love into this one. I only wish I had been able to post it at Christmas, but you’ll have to make do with it now.