.
Sense of well-being
prompted by a new buzz cut
the first in three months
.
by Scooj
3043. Brunel Way bridge (42)
I am still puzzled about how I have only recently (over the last year or so) noticed work by Turoe One. I know he has been around for a long while, but It is only in recent months that I can recall seeing his work just about every time I look up. I guess it is a bit like when you hear a new word that you have never heard before, and then, would you believe it, you hear it again and again and think how did I miss that?
A digression I know, but I wonder how many Turoe pieces I missed before he came onto my radar. This is a fine specimen and perfectly turned out. It would appear from the last few pieces that Turoe is going through a bit of a ‘green’ period at the moment, or maybe he simply over ordered on the green paints. I happen to rather like green pieces, so that is good.
3042. Cattle Market Road (3)
A new piece from Bnie and something really quite different from her. Bnie is an artist that I love, particularly for the fills she uses in her letters. Well, in this large piece there are no letters, only fills on a geometrically divided background.
Five creative and beautifully consistent patterns have been cleverly distributed along the length of the hoarding and there is an oblique reference to cows (Cattle Market Road) in the black and white cow-print pattern. This is a fine piece and sits comfortably with the other artists in this magnificent outdoor gallery.
Ingredient
.
Chicken is missing
from miso chicken and rice
on way to the shop
.
by Scooj
Jee See
A gallery of seismic proportions from Bristol’s Jee See (G. C. – Goshiku Chavu).
All photographs by Scooj
3041. Dean Lane skate park (330)
In this recent piece by Soge on a ramp in Dean Lane skate park, the artist is showing off his versatility with a rather different style than the one we are more accustomed to seeing. I don’t know the origins of why street artists use this ‘Hello my name is’ card, but I have seen it several times over the years and rather like it. (Note to self, do a special post on these?)
I think that I have seen more pieces by Soge since lock down eased than any other artist and have been enjoying his resurgence greatly. This piece is very easy on the eye and the greens of the lettering contrast well with the red and white base. More quality work from Soge.
3040. St Werburghs tunnel (174)
Since I started writing about street art some five years ago or so I have seen many established artists, but I have also seen the emergence of a great many artists new to Bristol. Of course some artists have jumped off the conveyor belt or moved out of the city, but I would say that there are more street/graffiti artists in Bristol now than there have been at any time in history.
An artist I am starting to notice more around the place is Pl8o (Plato-geddit?). I imagine that Pl8o is new to the city rather than new to street art, because the work I have seen is all really good and not the work of a novice (I should know). There is a lot to like about this piece – the shape of the letters, the fill designs such as bricks, stars and drips and the overall clean and tidy lines. More to come from Pl8o soon.
Evening
.
Biting flies dancing
vertical patterns, up, down
in sunlit stanzas
.
by Scooj
3039. M32 Spot (75)
When I first saw this lovely piece I couldn’t place the artist. I was familiar with the style, but I don’t know, it was bothering me and I couldn’t immediately see the signature because of the skaters’ bags in front of it. A closer inspection revealed it is by Zake, but is quite unlike most of his other pieces that I have seen.
This is a really classy and thoughtful piece that makes perfect use of the awkward column space. The green-faced girl has beautiful blue hair that turns into a waterfall. Her right hand is holding a spray can that is painting her purple hair that stretches over her head and transforms into a hand that is reaching down to her left hand. Personally I think this is a wonderfully composed piece and concept, beautifully carried out. I love it.
There is a name Diana Abdul at the bottom of the piece, but I don’t know what significance this holds.
3038. M32 roundabout J3 (226)
One thing you know for sure is that when you find a piece by Subtle, you know it is going to be an absolute cracker, and this one is a cracker with a cherry on the top. It was painted during a paint jam a week or so back alongside so many other great Bristol artists, and is the first piece I have seen from him since the start of lock down.
The colours, fill, decorations and 3D shading contrast really well and contribute to this vibrant and feisty work. I’m not sure what ‘outsiders gents club’ refers to, but it is probably a reference to the fellow paint jammers on the day. Like the rest of us, Subtle has been impacted by coronavirus and has mentioned it on his last couple of pieces.
Natural adventures 