As with my last post, I have been a little distracted by my birthday today and have very limited time to write a blog post. I will let Phour do the talking with this magnificent large piece of writing in Peel Street Green.
This chrome piece is loud, bold and confident. It is unapologetic and unfussy. Sometimes big fat ‘in your face’ graffiti writing can be just the ticket, and I think Phour has done a great job with this one.
One of the most entertaining and, on reflection, most likely collaborative partnerships is that between Mote and Mr Crawls. The biggest surprise is perhaps that this coming together hadn’t happened Sooner. This is the second collaborative piece that I have posted, and I have another waiting to post, although that one is rather badly tagged.
To the left, Mr Crawls has come up with something really unusual, and for once not a bird. Quite what it is, though, I am not sure. Bones, horns, a muzzle with sharp teeth – a rather nasty monster. Next tom this imaginary beast is a bird monster by Mote, looking a little more evil than some of his character creations – perhaps it is the company it is keeping. This motley duo (the characters, not the artists) prop up the far end of the long wall at Peel Street Green.
I have to say that I am missing the large ‘storytelling’ pieces that Daz Cat has produced over the last couple of years, and can only think that he is busy with other things to have time to put into his more complex pieces. I will have to make do with enjoying his quicker pieces that he is continuing to turn out reasonably regularly.
This is a wonderful blue cat in three-quarter profile, full of detail and character, which demonstrates just how far Daz Cat has developed over the last few years. There is a confidence and self-assuredness about his work now, as if he has nothing to prove, that comes across as relaxed and easy to look at. I hope he gets some time soon to pull together one of his storytelling pieces before too long.
It feels like quite a while since I last posted a piece by Claro_que_sssnoh, and even longer since I saw evidence of a paint jam by him and his Spanish compatriots in the Sunday Lovers crew/collective.
I like the wall at Peel Street Green, because its layout lends itself to a gallery appearance, with each section of wall occupied by a single piece. Also there is very little tagging that happens here, rather there is a rolling replacement of each piece with a new piece. Claro_que_sssnoh has written his usual HONS letters in his unique style and added in plenty of decorations to his light off-white fill. The numbers 23 tell you it was painted in 2023 and the letters SL refer to Sunday Lovers. It is always good to fine pieces by Claro_que_sssnoh.
I remember, looking back, that a few years back I used to think of Haka as something of an ‘edgy’ graffiti writer and artist as there were sometimes quite hard-hitting narratives alongside his work, but I think I was wrong at the time, and in recent years his work has been gentle and humorous and a joy to witness.
This new piece in Peel Street Green is a reflection of his work over the last 20 years and features a wonderful Snoopy character sitting on a rocket alongside some cheery bright and colourful letters. His work is upbeat and fun and these days works especially well for younger viewers, as many of his references are children’s cartoon or picture book characters. I hope this one stays as long as his Garfield piece in the same location.
Trafficity is an artist I have huge respect for. His unique pieces are incredibly consistent in style as well as quality. The word he writes is ZIOM and is a slang term for homie, bro, friend etc. The term I guess is appropriate and relevant in an urban culture setting.
Trafficity’s letters are interesting, in that they are quite blocky and they interlock rather neatly. I think that there is probably more going on than meets the eye, and I have often wondered it there is some sub-lettering going on. For example across the top I can quite clearly see the word ‘MUMM’. Of course, this might be entirely coincidental and unintended, but I think the only way of finding out is asking the artist, should I ever bump into him again. Not too far away from having enough pieces for a Trafficity gallery.
This is the first piece I have posted by Yield, but I am certain it will not be the last. I have plenty of photographs, mostly from the River Avon pathway area, of the artist’s writing, but this one in Peel Street Green appears to be on a slightly different level.
There is a nice flow to the letters, almost a ribbon effect, an the blur and black fill patterns work nicely through the writing. Some classic features, such as arrows and dots provide interest and the pink background contrasts well with the blues. This is a decent piece of writing, and I will definitely feature more of Yield’s work in future posts.
Mote has taken a bit of a shine to this spot on Peel Street Green, and the wall lends itself really well to his work, because it is square. It isn’t quite so good for graffiti writers, who in the main prefer rectangular spaces for their letters.
This Mote monster is armed with an array of extremely sharp teeth, and three eyes (the central one more of a pineal body than an eye). Usually Mote creates happy-go-lucky monster characters, but this one isn’t quite as light as some of his others. Colourful gums and lovely fills, Mote just keeps on getting better and better.
Not long ago, this wall which had a lovely piece by 3Dom, was severely tagged, and so he has returned to re paint it. To be fair that last one had been there for quite some time and a refresh was long overdue.
There is always a lot to like about 3Dom’s work, not only in his brilliant painting skills, but also in the strong messages of peace and equilibrium for our planet and people. A deep thinker who wants the world to be a better place. In this piece, a sun-like character is meditating, perhaps hoping for a bright future. This is yet another stunning piece from one of Bristol’s very best.
At long last Lupa makes her debut on Natural Adventures, and not before time. I have a whole bunch of pieces by her, but for reasons unknown to anyone, including myself, this is the first here on this blog.
There is a freedom and joy in Lupa’s work that lifts the heart. In this piece the blue letters are set on a pink background – it’s that winning pink/blue combo working hard once again. The fills create great sense of depth, with their cosmic appearance, and the white details add interest as well. The three shapes above the ‘U’ have the appearance of a crown, in this appealing piece. I also really like the slightly rough and ready presentation, which allows a freedom of expression, that some more precise and on-point pieces occasionally lack. A great first to share with you.
Lupa has been decorating our walls for a few years with her colourful letters
Natural adventures 