Thursday doors

Door 24

Door, 161 Essex Street, New York
Door, 161 Essex Street, New York

When I took the picture of this door last October, I was simply capturing an interesting image of street art on a door, nothing more nothing less.

It turns out that there is a lot more to this door that I had thought, which I only found out about when researching for this post. The door is the entrance to Clayton Patterson’s gallery on 161 Essex Street on the lower East Side of NYC.

This is Portal number 7 of an interactive street art experience combining technology, art, urban space and community called ‘13 Portals‘. The project team have created an incredible ‘gamified’ experience that encourages participants to complete tasks and unlock the knowledge of the ancients. The door used to have a QR code in the white space at the bottom that linked up to the experience website.

I’m not sure when all this took place, possibly 2017, but it all looks rather complicated to me. I was just interested in the door.

The artwork itself appears to have ‘borrowed’ a little bit from the Terminator films and combines a skull with features relating to the number seven. This is what the website has to say about this door:

‘The number 7 is Saturn. It is death and transcendence. It is the seven colors of the rainbow, the seven western notes and the seven days of the week. 7. Seven is an exceptionally powerful number and also one of the biggest keys to the mystery. Each color, note or planet, represents a different perspective that we can seek to achieve awareness, clarity and enlightenment. It is the metaphor for the different races and the conflicts before they ultimately find harmony.’

So there you have it, perhaps we shouldn’t simply take things at face value, even a door.

by Scooj

More doors at: Thursday Doors – Norm 2.0

 

 

 

1369. Upfest 2017 (148)

As with many of the pieces from the Aston Gate site at Upfest, I never got a picture of this completed work by London-based artist Woskerski.

Woskerski, Upfest, Bristol, July 2017
Woskerski, Upfest, Bristol, July 2017

I have seen and posted a piece of his from Leake Street tunnel in London about a year or so ago but have not seen any more of his work since, so it was great to see this photorealistic piece at Upfest.

Woskerski, Upfest, Bristol, July 2017
Woskerski, Upfest, Bristol, July 2017

Adjacent to the face wearing the 3D specs Woskerski has added some wildstyle writing, which demonstrates the versatility of this artist, who also paints under the name Methyl. Just a pity I didn’t get a final shot.

1367. Upfest 2017 (146)

One of the wildest pieces of Upfest 2017 was this great work from the Goopmassta, who himself was one of the most colourful characters. A visitor from the United States who came over to Bristol with a loose posse of other artists.

Goopmasta, Upfest, Bristol, July 2017
Goopmassta, Upfest, Bristol, July 2017

Unfortunately, as with many pieces in Ashton Gate, I didn’t get a clean shot of the finished piece, but even from the featured image you can get a feel for this free and happy piece.

Goopmasta, Upfest, Bristol, July 2017
Goopmassta, Upfest, Bristol, July 2017

The style of the piece is really rather seductive and eyecatching, and I can almost imagine the character being some kind of central figure in a children’s book…with a little bit of edge. Really nice work.

1366. Upfest 2017 (145)

It was impossible to ignore this extraordinary face by Rast ot Upfest 2017. Situated on the long hoardings at Ashton Gate, the bright colours and striking face drew you in.

Rast, Upfest, Bristol, July 2017
Rast, Upfest, Bristol, July 2017

Originally from Spain, Rast has been living in Bristol in 2014. I must say that I have not come across his work before, but surely would lioke to see more of it in the various locations around Bristol that I vsist.

Rast, Upfest, Bristol, July 2017
Rast, Upfest, Bristol, July 2017

1365. Upfest 2017 (144)

What a treat. Longstanding readers will know that I am fond of wheatpastes and this little bricked up window at the end of North Street was an absolute treasure trove.

D7606, Upfest, Bristol, July 2017
D7606, Upfest, Bristol, July 2017

At the top is a D7606 telephone box with David Bowie strutting his stuff. I have written about a larger version of this in Stokes Croft in a previous post. All around this vibrant paste up is a collage of black and white pieces by D7606 and C3.

Losthills and C3, Upfest, Bristol, July 2017
Losthills and C3, Upfest, Bristol, July 2017

Underneath the telephone box sitting snugly side by side is another playful Jake the dog by Losthills, this time dressed up as a wonderful hippie. On Jake’s right is a subtle but lovely paste up by C3…but there is more…

Losthills, C3 and Jimzina, Upfest, Bristol, July 2017
Losthills, C3 and Jimzina, Upfest, Bristol, July 2017

…pan back slightly and to the right of the C3 is another Jimzina menu-woman to add to the several I have already posted, and let’s not ignore the Goopmasta sticker (more from him in a couple of posts). All in all a lovely wall.

1364. Upfest 2017 (143)

This unusual and rather haunting portrait, on the hoardings in Raleigh Road, is by the amazing Wasp Elder.

Wasp Elder, Upfest, Bristol, July 2017
Wasp Elder, Upfest, Bristol, July 2017

Rather than try to write something clever about his style, that I am not over-familiar with, I thought I’d quote his biography straight from the Upfest programme, because it so perfectly describes what is going on in this picture.

‘Wasp Elder paints pictures populated by enigmatic souls and unstressed backgrounds, enticing a sentiment of an obscure journey.

His drawings, paintings and films present an evocative combination of solitary figures, collaged scenes, close-ups, obscured features, and potential catastrophe.’

Wasp Elder, Upfest, Bristol, July 2017
Wasp Elder, Upfest, Bristol, July 2017

It is a fine piece and was in stark contrast to the rather more lighthearted pieces on the rest of this hoarding, lending weight to the wonderful diversity of street art. I like this a lot.

 

 

1363. Upfest 2017 (142)

This was most certainly one of the highlights of my Upfest experience last year even before I knew that it was by an artist whose work I admire greatly, Braga Last 1.

Braga Last1, Upfest, Bristol, July 2017
Braga Last1, Upfest, Bristol, July 2017

I saw this piece early in its genesis on one of my first circuits around South Street Park, but inspite of Braga being scrawled all over it, the penny hadn’t dropped. It wasn’t until the end of the second day that I was able to see the finished piece and grab a few moments chatting with Braga Last 1, or at least I should say with his girlfriend as he struggled a litle with English.

Braga Last1, Upfest, Bristol, July 2017
Braga Last1, Upfest, Bristol, July 2017

The piece is a self-portrait with a crazy bag of stuff in a back pack…but where is he off to? If you take a closer look, this is actually a Brexit piece – there are some clues in the bag.

Braga Last1, Upfest, Bristol, July 2017
Braga Last1, Upfest, Bristol, July 2017

If you look carefully, you can see that in the rucksack is a book ‘Brexit for Dummies’ a brilliant title. What saddens me is that Europeans view our departure as utter folly, and I can’t help agreeing with them. I feel embarrassed and ashamed that our nation voted to leave and I am left feeling closer to the Europeans than to my own countryfolk. I fear an unhealthy legacy for many decades to come.

Braga Last1, Upfest, Bristol, July 2017
Braga Last1, Upfest, Bristol, July 2017

1362. Upfest 2017 (141)

One of the first large pieces I saw at Upfest 2017 was this fabulously pink ice cream delight from Buff Monster on the side of the Salvation Army building which has played host to some wonderful work in previous festivals.

Buff Monster, Upfest, Bristol, July 2017
Buff Monster, Upfest, Bristol, July 2017

There seems to be quite a big thing for monsters in the street art world, and I guess it relates to having a licence to spray whatever comes from the imagination. There are some great monster artists out there of which Buff Monster is one.

Buff Monster, Upfest, Bristol, July 2017
Buff Monster, Upfest, Bristol, July 2017

This is a great big piece of fun which has been beautifully sprayed and is a real asset to this part of East Street.

Buff Monster, Upfest, Bristol, July 2017
Buff Monster, Upfest, Bristol, July 2017

I hadn’t seen any of Buff Monster’s work before this (one of the brilliant aspects of Upfest), but was lucky enough to find a piece subsequently when I was on holiday in New York. It is always great to see something by an artist you are familiar with…comforting.

 

 

1361. The Bearpit (126)

I haven’t posted anything by Cheba for what seems a very long while, although I do know of one or two pieces he has created recently of which this is one. It would seem that he likes this particular spot which he has sprayed in the past.

Cheba, The Bearpit, Bristol, February 2018
Cheba, The Bearpit, Bristol, February 2018

Cheba is the master of cosmic murals, it is his thing and he does it so very well. It is possible to immerse yourself entirely in this piece, looking at the stars and clouds in this imaginary scene. While it might not be to everyone’s taste, this is beautifully sprayed and brings something of outer space into the centre of a busy city.

 

1360. Newfoundland Street (1)

I’m not quite sure how this spot has passed me by until a couple of weeks ago. On the site where my old garage used to be – the place where I got my car MOTd – there is now a large development under construction. I believe that an hotel is being built, although I’m mystified as to why they have chosen to locate one here, it is not exactly a prime site.

Aspire, Newfoundland Street, Bristol, March 2018
Aspire, Newfoundland Street, Bristol, March 2018

There are several Bristol artists featured on this hoarding and the first of these I am witing about is Aspire. His work is always a real treat to find, especially as he now lives in London, and seeing new work by him in Bristol is a rarity. His depiction of birds is in the same category as ATM and Louis Masai and is always an eyebrow-raiser in these urban locations.

Aspire, Newfoundland Street, Bristol, March 2018
Aspire, Newfoundland Street, Bristol, March 2018

In this piece Aspire has painted four pigeons, although these are so beautiful I’d prefer to call them rock doves. In the centre of the picture is, I think, a partridge. I’m not sure of the significance of this…maybe there isn’t any, but it is an unusual assembly of species. Aspire’s work is always brilliant and this piece simply confirms that.