Not very often, but often enough to satisfy the appetite, Dibz creates one of his extremely precise and complex pieces of wild style writing. I have seen a few where he uses this black and red combination which he seems to favour.
Somewhere in there it probably says DIBZ, but I’ll be darned if I can find it. The whole thing is just so sharp and crisp, and technically pretty close to perfection. This is what the highest quality writing looks like. Bravo Dibz.
There is this rather interesting crossover that occurs when a street artist paints a commission and I can never quite admire a commission as much as a piece from the heart. Maybe that is just me. On the one hand, businesses are supporting artists and paying them for their work, and this is so obviously a great thing. On the other hand, the artist paints to a brief and in some sense loses a degree of freedom. This piece, by the brilliant Silent Hobo, was commissioned by Averys – one of Bristol’s long-established wine merchants, and is actually perfect for the location.
Once again, we have a Bristol fox featured in a piece of local street art… note to self, I must do a ‘fox gallery’ sometime. The stairway is at the bottom of Park Street and leads directly into Frogmore Road that runs underneath. Follow the sign to Averys and you will walk past two outstanding JPS stencils and a wonderful 3Dom abstract piece. Not to mention the Banksy nearby. A little street art hotspot.
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Ruben and I see
an orange-tip butterfly
the first of the year.
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by Scooj
It’s in my head now, so I have to say it, but while looking at this wonderful bunny by Nevergiveup (#followmyrabbits), I hear the football chant “you see him here, you see him there, you see him every f***ing where” and that adequately describes this artist’s rabbits.
This charming fellow can be found in anything but charming surroundings at the top of some rather unpleasant concrete steps rising up from Nelson Street. It is great that this artist brings a glimmer of light and hope to such places. So many more rabbits to come.
Top Cat by Deamze looks on at a recent piece by Laic217. While not quite up to the very high standards we have come to expect from Laic217, this is still a rather striking piece Bering many of the hallmarks used by this artist.
I would guess that this was probably painted rather quickly, and perhaps not enough thought was given to the proportions of the portrait. Whatever the reason, the top of the head and hat is a bit squished. I am rather fond of the skull shirt decorations though. More from Laic217 soon I hope.
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My sister and me
we remember him today
and tell our stories.
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by Scooj
A new artist for me, Kedals, is one I know precious little about other than that he is a Bristol-based wheatpaster. This is great news, because not too long ago I was bemoaning the lack of wheatpasting in the city. If you go to other cities, there is much more (sometimes too much), but in Bristol it seems to be limited to visiting artists like Tian or qWeRT or Face the Strange or D7606.
This wonderful duo of paste ups shows that the artist is hard working, in that the base drawing is the same, but the rest of the piece is hand drawn, and each one although similar is unique. I have seen this technique used by other wheatpasters, and I really like it. For me it demonstrates love and attention to every piece that is pasted up, rather than doing a print-run of the same thing and posting it everywhere.
The style is quirky and there is a story going on here. I have seen one or two more pieces by Kedals and will be keeping my eyes peeled from now on. Very nice.
Well here is another one from Decay, with a little bit of collaboration from Rezwonk who provides the orange patterned base. I have to say that of Decay’s recent pieces I think this one just shades it as my favourite. You can find it on the M32 cycle path, which looks like it will be reopening very soon, and perhaps elevate access to this wall which has been a little neglected over the last year or so.
I think it is the first time I can remember Decay using this colour palette and I think that it works really well with his writing style. The evolution of his work is a journey I am enjoying very much, and each piece seems to push the boundaries just a little bit more. Still a whole bunch more to come. Rezwonk is a fine artist in his own right, but his tight, bright designs work extremely well in collaborations. All round great piece.
Naples in London
twenty two battle it out;
new gladiators.
by Scooj
I have walked past this pioece by Mr Penfold a handful of times, but not until recently did I have my camera with me, which is a pity really because it has been rather spoiled with a tag. It is in a little alley just off Nelson Street and close to St John the Baptist church.
His work always contains these abstract designs in bright colours, often incorporating animal print patterning. The colours in this piece are typical of his work, which can often be seen brightening up shop fronts and public spaces. Something about his work reminds me very much of the 1980s, it might be the brashness of the placing together of contrasting patterns and colours. Always instantly recognisable, and usually upbeat work.
Natural adventures 