1638. The Bearpit (155)

Well what can I say about Nevla? Well the first thing I can say is that I met him at Upfest and had a good long chat with him…and what a decent fellow he is, just like so many of the street/graff artists in Bristol. I’ll keep my powder dry about our conversation for when I post his Upfest piece.

Nevla, The Bearpit, Bristol, July 2018
Nevla, The Bearpit, Bristol, July 2018

This is a lovely piece, that can be easily missed, on the ramp down into The Bearpit on the north side of the roundabout. The fun cartoon character is accompanied by the words ‘stay fresh’, and I think this piece certainly manages to do this. I am really enjoying witnessing the progress of this artist, who tells me he has been spraying walls for about a year now.

1637. St Werburghs tunnel (35)

It would appear that when Inuk came to visit Bristol recently he may have painted two or three pieces. This is the second that I am posting, and the first that I found. I didn’t write about it straight away because at the time of taking the picture I didn’t know the artist.

Inuk, St Werburghs, Bristol, July 2018
Inuk, St Werburghs, Bristol, July 2018

The writing is big and bold and spells out INUcK, which I guess is a variation on his name. I very much like the little character at the right hand end of the piece, who offers a little additional interest and decoration on the work.

1636. M32 Roundabout J3 (90)

This is the second of two recent pieces by the marvelous Tasha Bee. Regulars will know that I admire her work a great deal, and this piece is no exception to that. One of the things I love about her art is that I rarely go looking for it, tending to find it instead when I am out on one of my little expeditions.

Tasha Bee, M32 roundabout, Bristol, July 2018
Tasha Bee, M32 roundabout, Bristol, July 2018

In this one, which is just outside the roundabout on the St Pauls side, there are two serene figures in purple and blue facing each other. Consistent with her work, both have closed eyes and a calmness about them. I rather like the ear decorations, one is a yin yang symbol and the other a peace symbol. A lovely find.

1635. New Stadium Road (5)

This spot is always impossible to photograph – I think the only solution is to come down at dusk and use a flash, and if I am honest I’m not sure I am fanatical enough to do that. The piece is, of course, by Deamze and shows off his angular puzzle-like wildstyle writing really well.

Deamze, New Stadium Road, Bristol, July 2018
Deamze, New Stadium Road, Bristol, July 2018

As is often the case, I am not at all sure who the character is, and think it might possibly be a figment of his fertile imagination. It feels strange, but of all the most productive Bristol artists painting at the moment, I still have yet to meet Deamze – our paths just haven’t crossed. I have a feeling he likes to keep himself to himself. Yet another consistently good piece.

1634. St Werburghs tunnel (34)

It feels like a while since I saw anything by Soge, so this writing in St Werburghs tunnel recently was a nice surprise. I think it was created during the paint jam which included a lot of PWA artists.

Soge, St Werburghs, Bristol, July 2018
Soge, St Werburghs, Bristol, July 2018

Soge, like Hire, uses a rather gothic style in his writing, which may be something they have brought with them from Poland, as it is not a style I see much of from any of the local artists. The letters SOGE are easy to pick out, although the lighting in the tunnel doesn’t really do the piece justice. Strangely I haven’t yet met Soge and so can’t really tell you too much about him.

1633. Belle Vue Road

This is the second of a pair of pieces by Dabuten Tronko in Easton which I came across recently. The wall had previously had a rather unattractive throw up on it and the improvement brought about by this work is immeasurable.

Dabuten Tronko, Belle Vue Road, Bristol, July 2018
Dabuten Tronko, Belle Vue Road, Bristol, July 2018

I am very fond of these deconstructed rowing boat pieces by Dabuten Tronko, and it is great that he has visited Bristol on a couple of occasions in the last year – I wonder if he has contacts here as it is quite unusual for visitors to paint in Easton, they tend to go to the more common spots at the M32 or Dean Lane. I hope he returns again before too long.

1632. Dean Lane skate park (150)

An eye-catching piece in Dean Lane by Jee See (G.C. – Goshiku Chavu). On a black background, he has worked this neon green seismic piece really well. It reminds me of early green screen computers and video games like Space Invaders.

Jee See, Dean Lane, Bristol, July 2018
Jee See, Dean Lane, Bristol, July 2018

Jee See is another of those Bristol street artists who consistently turns out great work and furthermore he sprays in spots all around the city. Some artists prefer to stick to their own patch. More to come from Jee See soon.

1630. Dean Lane skate park (148)

This is another fine crisp clean piece from Slim Pickings, whose work I am really enjoying at the moment. I took these pictures just as he was finishing off the piece and was able to meet him for the first time. I was full of enthusiasm, having just finished my spray session at the Upfest shop on North Street. In the course of our conversation he told me he had been spraying for some 30years, which I found humbling and mildly embarrassing as he had only recently crossed my radar.

Slim Pickings, Dean Lane, Bristol, July 2018
Slim Pickings, Dean Lane, Bristol, July 2018

I love his clean lines and fills – each one of his pieces striving to be better than the last. Slim Pickings is clearly a man who loves his art and constant search to keep up the high standard. He gave me a few tips, for which I am grateful. Nice piece.

1629. M32 Spot (26)

I love the recent spate of wheatpastes from Object… and I think I might actually prefer them to his larger painted pieces, but both are great n my opinion. There is often something disturbing and emotional in Object…’s work with his political passion never too far from the surface.

Object..., M32 Spot, Bristol, July 2018
Object…, M32 Spot, Bristol, July 2018

Outspoken and earnest, Object…’s pieces certainly challenge the viewer to see the world through the eyes of the less fortunate. This piece, while not necessarily falling into that category, certainly carries with it a disturbing nightmarish quality. I happen to love this piece, it is just a shame about the tag across the bottom of it. I hope to find more of these paste ups around the city.

1628. M32 Spot (25)

I seem to have posted a lot of work by Daz Cat recently, perhaps he is going through one of those productive phases that street artists seem to go through – perhaps a bit of time on his hands just now.

Daz Cat, M32 Spot, Bristol, July 2018
Daz Cat, M32 Spot, Bristol, July 2018

A cat in a shirt, who’d have thought? I like Das Catz’s work a lot, it always has a bit of edge, and the characters, mostly cats and dogs, often have a little menace about them. In this piece, there is something compelling about the buttons on the shirt, my eyes are drawn to them. The piece simply wouldn’t balance properly without them.