A few years ago, it was the wheatpastes of Kid Crayon that fired up my curiosity about street art, but they are not common in Bristol, so whenever I find one it is always cause for celebration.
Mudra arrived in Bristol last year and immediately made an impact with several of his characteristic face pieces and writing. Now, if you hunt around in the Cumberland Basin you will find this beauty ‘data muncher’ which I very much hope is the first of many wheatpastes from him. Classy.
It has been sad to witness the downfall of graffiti spots in the Stokes Croft area under the relentless march of gentrification. I understand that redevelopment is part and parcel of the growing up of a city, it is just a shame that local communities and cultures are swept aside, without any allowance for them. For example the creation of ‘legal walls’ to keep that ‘feel’ of an area. Obviously that goes against the proliferation of clinical, sanitised, overpriced housing that we see emerging in towns and cities across the country.
It is the lack of imagination and creativity that is so upsetting, almost as if town planners and corporate architects have had their ‘fun chips’ removed. It is all about squeezing as much profit out of every square inch of land, no regard for local communities or indeed the natural environment. I don’t see much in the way of creation of proper green spaces accompanying the gentrification agenda. Let’s line our pockets with gold. Greedy fools.
There won’t be many more posts from Moon Street, is my guess, because of this relentless building programme, and many street/graffiti artists seem to have abandoned the area altogether. That is why it was especially gratifying to come across this quick collaboration from Rezwonk and Mena.
Rezwonk has been fairly quite over the last six months, working on other projects not entirely unrelated to his art. This piece has an industrial/construction feel to it, with rivets locking pieces of his letters in place. Modest, but really nicely done. This could be walked past quite easily as a simple throw up, but it is rather more sophisticated than that.
Menaces adopted the same colour scheme, but her fills are rather more straightforward. Both artists have followed the ‘code’ of the colour scheme, and it is one of those collaborations that are joined but not fused. Nice to see.
When it comes to writing about graffiti writing by Ryder, there is little more to say than he is an exceptional talent and seeing his work is always accompanied by a bat-squeak of excitement.
A recent trip to L Dub was fruitful, and among that crop of superb pieces was this one from Ryder. Full of colour and a fine fluid movement of the letters which makes this piece of writing very easy on the eye. Sophisticated and smart.
It has taken me far too long to take photographs of this wonderful mural by Alex Lucas. It is in Picton Street on the facade of her shop and replaced one that she had painted a few years earlier and which had begun to look a little tired. The makeover is a huge success.
I think that Alex Lucas deserves a title, something like the Duchess of Montpelier would be appropriate on account of the sheer volume of outstanding murals, big and small, that she has painted in the area, helping to make it a ‘go to’ destination for visitors to Bristol.
The black and white birds are beautifully drawn and sit on a backdrop of outstanding purple flowers on a blue background. This is both sumptuous and eye-catching and a massive part of Bristol’s USP (one that Bristol City Council are conflicted about – I’ll probably leave that rant for another post).
Pekoe’s portraits just keep getting better and better and seem to flow with the ease of an artist really enjoying their trade. There is something just a little bit special about this one, Maybe it is the RBF T-shirt, maybe it is something else, but it works very well for me.
The lighting in the tunnel, as I have said countless times, is dreadful, and I had to adjust the colours to be a truer representation, because my original photograph was ‘yellowed out’. No tears on the face of this young lady, but an emphasis on cheeks and lips. Big hair as always and an all-round wonderful portrait piece.
I am very much enjoying this little pulse of activity from Laic217, and from all over the city too, what a treat. This is a tidy piece in which he recognises his PAD crew by name, and possibly represents some of them with his skeletal characters… who knows?
The black and white skeletons on a magenta background almost look like charcoal sketches and are very nicely done, and he has managed to achieve expressions from expressionless skulls – very clever. His crew (or kru as he calls them) are Cort, Ugar, who seems to have left Bristol, MRB and Zios (I don’t know either of them) Zbok (followmyrabbits) and Laic217 himself. Some great Polish/Hungarian talent there.
I have a feeling that this playful piece in St Werburghs tunnel was the first time that I became aware of the work of Ugloe, way back in October. I have stumbled across one or two others and each of them is carefully thought out and beautifully executed.
Ugloe’s style is a clever mash up of graffiti writing combined with illustration and is very effective. It merges the edgy with the safe. In this piece, the colourful letters spelling UGLO are being decorated and given some sparkle by three of her distinctive characters. A joyful piece.
My last post featured a piece by Pura Decadensia and in researching that piece I was able to hunt down the artist who painted this mysterious portrait under Brunel Way from a few months back. It is by Moño (she quite rightly stresses the ñ) and it was the first piece painted in Bristol by the Fuerteventurian artist.
I am staggered by how many Spanish artists we have in Bristol now and I’m not quite sure what we’d do without them. Moño swells their ranks and on the evidence of this piece is a superb addition to our city. I believe Moño is a tattoo artist, but this portrait has some lovely features, in particular the hair which is very nicely done indeed. This is an unusual piece, but really ticks all my boxes. I can’t wait to see more of her work.
There may be a perception that it is unusual for women to be involved in street art and graffiti art, however, if it is a perception, it is one that I can blow apart right now certainly as far as the Bristol scene goes. This piece on the curved wall is by relative newcomer Pura Decadencia and is a welcome addition to this wall that has been a little stagnant over recent weeks.
I am so glad to have seen this and found out a little bit more about the artist from it, because I have a couple of pieces in my archive that I can now post and attribute to her. The piece itself is a nice bit of writing spelling out PURA on a blue bubble background and some vampire teeth getting stuck into the ‘R’. I think that Pura Decadencia is rather fond of vampire teeth if her Instagram stream is anything to go by. Welcome Pura to Natural Adventures.
This piece has caused a bit of a stir and has attracted a lot of attention on Instagram. The reason for this is that it is so very different in style from much of what we see in Bristol and is by a new artist on the scene, Hanski.
Hanski is an art foundation student in Bristol, and I am seriously looking forward to many more pieces like this over the next two or three years. There is a clear and obvious influence from the Cubist movement and Picasso and I absolutely love it. I note that Hanski has painted another piece up at Purdown Battery and I must try to get up there before it gets over painted or tagged. A great introduction to this new to Bristol artist.
Natural adventures 