Over the last couple of years, there has barely been a moment when Rezwonk hasn’t had a new piece somewhere in the city, but of late he has slowed down a little, working on other projects I have no doubt.
Rezwonk, Cumberland Basin, Bristol, December 2020
This is a lovely colourful piece from the long wall adjacent to the Create Centre which reminds us just what a prodigious talent Rezwonk is. Great letter styling with some interesting drips thrown in too. A curious mix of colours, but he seems to pull it off just fine.
These tight collaborations from Dibz and Shade One are becoming something of a feature in Dean Lane this year, and it has been a genuine privilege to see and photograph them.
Dibz and Shade One, Dean Lane, Bristol, December 2020
The precise graffiti writing from Dibz paired with the stylised portraits from Shade One have a crispness and professional look about them. The walls are always nicely prepped and the work carefully done.
Dibz, Dean Lane, Bristol, December 2020
On the left, the black and white writing from Dibz is so sharp and painted to appear like a sticker, along with all the surrounding ‘shout outs’. Note the little fold over on the far left, a trick repeated in the top right-hand corner of Shade One’s contribution.
Shade One, Dean Lane, Bristol, December 2020
Shade One creates these amazing portraits that have a sophisticated comic book feel about them. What lies behind those eyes? I love the shirt collar too. Overall another excellent production from this pairing.
One of the pleasures of photographing street art and graffiti is that you get to meet many artists as they paint their creations. Most will make time for a quick chat, and over time you become acquaintances and sometimes friends. This was the first time I had met Any and indeed it was the first time I had seen his work in Bristol, which is not all that surprising as he has only recently come to Bristol from Poland. It is great to welcome yet another artist from Poland to join the merry throng in Bristol.
Any, M32 roundabout, Bristol, November 2020
Any is a graffiti writer who freestyles his work, which means that he paints from his head rather than a sketch in a black book. He said that it gives him freedom. I like the way that he has prepped the wall first and has taken care with this bright piece. The short word ‘ANY’ means that his pieces can take on an abstract look and I rather like that. There are some elements that are similar to Benjimagnetic’s work, particularly the triangles with single-line outlines.
Any, M32 roundabout, Bristol, December 2020
Although this was the first piece I have seen by Any, I have noticed a couple more in the Stokes Croft area, which leads me to believe he probably lives in North Bristol somewhere. Welcome to the city of street art.
Finding one Sepr piece is always a treat but to find three is like Christmas coming early, and Christmas certainly came early for me a week or two back. I had taken the dog for a road walk – it is way to muddy in most of the parks at the moment and I was weaving around aimlessly in St Paul’s when I came across Dicky’s Barbershop and these three new pieces.
Sepr, Brigstocke Road, Bristol, December 2020
Each of the window shutters and the door shutter has a different prime colour piece on it. The door in the centre on a yellow background has a lady with an umbrella petting her dog who is upright on his hind legs.
Sepr, Brigstocke Road, Bristol, December 2020
On the left of the door is the blue panel in which a man is sitting and reading a book while a little bird is perching on the top of the book and pooping on the man’s toes.
Sepr, Brigstocke Road, Bristol, December 2020
The third panel, to the right of the door is set on a red background and hosts another man sitting cross-legged listening to music on his earphones while two birds flutter around him, looking like they are enjoying the music too.
Quite what any of this has to do with a barbershop I don’t know, but it brightens the place up no end.
This door is getting some great attention, with Daz Cat, Slakarts and now Soap all giving it a coat of paint in recent months. This is a classic piece of soap work, almost like a mega-tag and takes me back to when I first became aware of his style.
Soap, M32 cycle path, Bristol, December 2020
I don’t know what Soap calls this character/tag but to me it looks like a double mouthed skull, clever stuff. I imagine that Soap can probably spray throw ups like this one in his sleep, although that probably belittles the skill needed to spray anything half-decent on a wall and this is way more than half-decent.
Well this just about sums it up – another in the series of ‘Shite Year’ pieces by Turoe, this time on the M32 roundabout. When I first saw this piece I was a little bit miffed because it had been painted over a wonderful EAT collaboration piece from January this year, but then I thought, hey, it is about time something new was painted here.
Turoe, M32 roundabout, Bristol, December 2020
The way the two halves of the piece have been written gives the impression that this is a collaboration between two artists, but it is in fact the work of a single artist.
Turoe, M32 roundabout, Bristol, December 2020
Since returning to painting after a period away, there has been no stopping Turoe, and there are more pieces from this theme still to come. Let’s hope for everyone’s sake that next year brings a little more joy and peace. At least Trump won’t be in power to destabilise things further.
SPZero76 and Kid Crayon, M32 roundabout, Bristol, January 2020
Mr Draws continues to experiment and try new things, which is one of the reasons I love his work. His writing is perhaps less conventional than some writers in Bristol, but it has a freedom and joy about it, an unpretentiousness if you like.
Mr Draws, Dean Lane, Bristol, December 2020
I like the way the colours overlap from one letter to the next and the random positioning of the letters adds interest. Great colours, simple and effective. Always great to see work from this Bristol legend.
One of my favourite Face 1st pieces used to occupy this space, so it is just as well that it has been painted over by another artist whose work I love, Silent Hobo. In fairness the old Face 1st piece had recently been tagged and was looking a little bit sorry for itself. I have a feeling that this piece might be a commission for the cafe opposite, but I can’t say so for sure.
Silent Hobo, Ashfield Place, Bristol, December 2020
Silent Hobo had been a very busy man this year and has produced a host of excellent new pieces all over the city and this is just the latest to come off the production line. In the heart of St Pauls, this young woman is enjoying a barbecue with a sunny topical beach in the background – just a dream for most of us in these pandemic times, indeed a dream for most of us in normal times. Silent Hobo conjures up a peaceful atmosphere in this laid back part of town.
Face 1st and Soap, Ashfield Place, Bristol, January 2018
There has been a renaissance of sorts in Bristol over the last couple of years or so with the arrival of a merry band of Spanish artists, several of whom are outstanding graffiti writers. Front and centre of this throng is Todoaciem whose near-perfect writing form is a joy to behold.
Todoaciem, M32 roundabout, Bristol, December 2020
This piece on the M32 roundabout is typical of his structured ornate calligraphy style which spells out CIEM1, although it takes a trained eye to work this out – I am still learning. The colour selection works well and this combination of shades of pink and blue are often used by street artists because they make a piece stand out. Great graffiti writing.
On the long wall at Sparke Evans park is this lovely chrome and black piece from Dott Rotten who more often than not spells out SPOILT in his pieces. I don’t know how long the piece has been there, because I visit so infrequently, but it looks reasonably fresh and untagged, so I don’t think it is too old.
Dott Rotten, Sparke Evans Park, Bristol, November 2020
I think that Dott Rotten is an artist whose work we just don’t get to see enough of. These letters are perfectly formed and the black 3D shadows exact. To cap it off, the black decorative fills around the outside, and variants in the ‘O’ add depth. As fine a piece of two-tone graffiti writing that you will see.