The rewards for wandering around without a plan can be enormous, and after a long while of knowing about this piece I eventually found it quite by accident when I decided to walk down a street I rarely visit.
Tim Marsh, Queen Charlotte Street, Bristol, March 2019
It is by the magnificent Tim Marsh, who I think lives in Barcelona, and who was a visitor to Upfest 2018. As with many artists who come to Bristol for the festival, Tim Marsh gave the city with this little ‘present’, and very kind of him to do so too. This piece looks like it might be the Queen wearing a kind of colourful Banksy mask… it could of course be something else completely. Typical of his work are the colourful geometric patterns that fill the space around his subjects. Thank you Tim.
Life is so full of surprises, and this piece by Silent Hobo rounded off a fantastic walk around Bristol during which I found several artworks completely new to me. The piece is tucked away on the side of a shop, and easily missed if you approach it from the wrong direction without looking back.
Silent Hobo, Hotwell Road, Bristol, March 2019
In this piece we see a fabulous blend of urban landscape in the form of the M32 and nature trying to get a grip from the ground upwards. The beautiful girl seems to be caught in the middle of the natural world and development… something of a conundrum for us all.
Silent Hobo, Hotwell Road, Bristol, March 2019
I love the work of Silent Hobo, particularly his characters who seem to have so much soul and mystery about them. This is a magnificent and somewhat unexpected piece.
It is not often that you see a piece of work bombed by the artist who originated it, but here we have just such an example from Rezwonk. The original piece in Moon Street survived intact for quite a while before it got a bit tagged, but it seems that Rezwonk decided to go the whole hog with this throw up.
Rezwonk, Moon Street, Bristol, March 2019
It would appear that Rezwonk has quite a spectrum of styles in his work from tags, which are dotted all around Bristol, to characters, such as his big bird, to burners like these to high-end graphic design pieces. A versatile artist.
Rezwonk, The Bearpit, Bristol, March 2019
I have seen this particular ‘REZER’ burner in a number of places including The Bearpit. I think that Rezwonk must have goner on a bit of a spree. All good.
Regular readers will know how excited I get when visiting artists leave behind a little gift for us to enjoy, and so I thought it fitting to write my 200th Dean Lane post about Italian artist Filippo Mozone.
Mozone, Dean Lane, Bristol, March 2019
The piece is so obviously not in the style of any of the Bristol artists I am aware of and for this reason was a real curiosity. The character appears to be painted in the manga style and has a sketch-like quality to it. The large eyes remind me of ‘Marine Boy’ a cartoon I loved as a child. I am quite pleased with myself spotting the Japanese link, because I have just read in Mozone’s website biography that he was ‘was dazzled by Japanese cartoons in the 80’s and graffiti in the early 90’s‘.
Mozone, Dean Lane, Bristol, March 2019
This piece was a lovely surprise (and I like surprises) and is one of my favourite pieces of the year so far.
I cannot think of a period in the four or so years that I have been writing about Bristol street art where there have been so many ‘new’ entrants into the painting scene. One such artist is Diced Mango who once on my radar only a few months ago is now producing pieces on a regular basis in several spots around the city.
Diced Mango, St Werburghs, Bristol, February 2019
This recent piece in St Werburghs tunnel combines a character with writing, a format common amongst graffiti writers. The portrait is naively drawn with Diced Mango’s trademark coloured ‘string’ hair.
Diced Mango, St Werburghs, Bristol, February 2019
The writing in gold is in a rather nice organic form. I think there is a lot more to come from this artist and I am looking forward to seeing how his work develops over the coming months and years.
I have a feeling that this wonderful collaboration by 3Dom and Epok has been here for a little while, but it is a spot I visit infrequently and so cannot be sure. The wall, underneath Brunel Way is one which I find particularly difficult to photograph, due to the light reflections that encroach from the sides.
3Dom, Brunel Way Bridge, Bristol, March 2019
On the left is a rather large fly by 3Dom with an urban/industrial landscape on its back. The wings are beautifully crafted and the whole insect nicely proportioned…quite what the story is I am not sure.
Epok, Brunel Way Bridge, Bristol, March 2019
The right hand side of the collaboration is a piece of graffiti writing from Epok. I never get tired of his beautifully designed asymmetric writing that seems to combine graphic design and street art so perfectly. This is a fine collaboration from this ASK duo.
Yet another amazing surprise from a week or two back walking on my way to work was this magnificent collaboration by DNT and Hazard. Previously this wall had hosted a fine collaboration by Soap, Hazard and Tasha Bee.
Hazard and DNT, Stokes Croft, Bristol, March 2019
I haven’t seen any animals by Hazard before, only pictures of people’s faces, so this was definitely a lovely new insight for me. The Tiger’s face is brilliantly painted using as spectrum of white through to black spray paints, and it works perfectly on this wall.
Hazard and DNT, Stokes Croft, Bristol, March 2019
The whole piece is brightened up with colourful writing by DNT on then left and Hazard on the right. The only thing I am n ot certain about here is whether Hazard’s name was by her or DNT. If it was by Hazard, then this is another first for me. Turbo Island is becoming a really great spot once again thanks to the efforts of PRSC and others who are working hard to make use of this wall.
Well what a lovely surprise from a few days ago. I took a quick trip to St Werburghs tunnel and right next to one of the Fiva (Fiver) pieces was this fabulous Robot face by Snub23.
Snub23, St Werburghs, Bristol, March 2019
I have only known Snub23 to come to Bristol for Upfest, so it was extra special to find a piece here at this time of year. Snub23 adopts two instantly recognisable styles… this one of cartoon-style robots and sci-fi scenes and his geometric patterning which is similar to the work of Bristol’s Paul Monsters. Sometimes he combines both styles in a single piece. Brilliant to find this nice piece.
My oh my! A couple of weeks ago this utterly remarkable collaboration by Smak and Sled One appeared on the hoardings in Nelson Street which have in recent times been a bit of an ASK playground. It is quite one of the best collaborations I have seen for a long while, and I don’t think that Bristolians, in the main, realise just how privileged we are to have art this good decorating our streets.
Smak, Nelson Street, Bristol, March 2019
On the left of the wall is a magnifcent oriental style leopard in rampant attitude rather menacingly advancing towards a poor unsuspecting child.
Smak, Nelson Street, Bristol, March 2019
This is one of the finest character pieces I have seen by Smak, and it seems that he is planing on doing more, which is great news.
Smak and Sled One, Nelson Street, Bristol, March 2019
The whole collaboration is set on a grey background and shares a general colour palette of greys, reds and yellows.
Sled One, Nelson Street, Bristol, March 2019
To the right of the wall we are spoiled by a magnificent story from Sled One, where a crane is delivering a little baby suspended in a cloth from its beak. It looks like the baby is prepared to take on the leopard as it is armed with a samurai sword and is wearing a mask. Even the red decorations on the grey patches of the piece ooze class.
Sled One, Nelson Street, Bristol, March 2019
This is not the first time that Sled One has incorporated a samurai into his work and is would appear to be a theme he enjoys. This is a world-class collaboration that we in Bristol are lucky to have and I thoroughly recommend that anyone living in Bristol makes a detour to Nelson Street to see it if planning a shopping trip to the centre.
I was alerted to this wonderful piece by Kid Crayon through Instagram and naturally tried to get to see it as quickly as I could. The piece was part of a collaboration with Subtle but alas, Subtle’s half had been painted over by the time I got down to Cumberland Basin.
Kid Crayon, Brunel Way Bridge, Bristol, March 2019
I am guessing that Kid Crayon rather likes this tone of pink, because it features a lot in his work. Either that or he ordered way too much pink and is wading his way through it.
Kid Crayon, Brunel Way Bridge, Bristol, March 2019
Once again, Kid Crayon has turned out yet another impressive piece and rather wonderfully incorporated one of his characters into the ‘O’ of Crayon, and it is great to see his trademark floating Crayon making a comeback. So very good.
Natural adventures 