It would appear that when Inuk came to visit Bristol recently he may have painted two or three pieces. This is the second that I am posting, and the first that I found. I didn’t write about it straight away because at the time of taking the picture I didn’t know the artist.
Inuk, St Werburghs, Bristol, July 2018
The writing is big and bold and spells out INUcK, which I guess is a variation on his name. I very much like the little character at the right hand end of the piece, who offers a little additional interest and decoration on the work.
This is the second of two recent pieces by the marvelous Tasha Bee. Regulars will know that I admire her work a great deal, and this piece is no exception to that. One of the things I love about her art is that I rarely go looking for it, tending to find it instead when I am out on one of my little expeditions.
Tasha Bee, M32 roundabout, Bristol, July 2018
In this one, which is just outside the roundabout on the St Pauls side, there are two serene figures in purple and blue facing each other. Consistent with her work, both have closed eyes and a calmness about them. I rather like the ear decorations, one is a yin yang symbol and the other a peace symbol. A lovely find.
This spot is always impossible to photograph – I think the only solution is to come down at dusk and use a flash, and if I am honest I’m not sure I am fanatical enough to do that. The piece is, of course, by Deamze and shows off his angular puzzle-like wildstyle writing really well.
Deamze, New Stadium Road, Bristol, July 2018
As is often the case, I am not at all sure who the character is, and think it might possibly be a figment of his fertile imagination. It feels strange, but of all the most productive Bristol artists painting at the moment, I still have yet to meet Deamze – our paths just haven’t crossed. I have a feeling he likes to keep himself to himself. Yet another consistently good piece.
A collection of street art by Kleiner Shames (formerly of Bristol and a frequent visitor)
All photographs taken by Scooj
Kleiner Shames, St Werburghs, Bristol, December 2019Kleiner Shames, St Werburghs, Bristol, October 2019Kleiner Shames, St Werburghs, Bristol, July 2019Kleiner Shames, St Werburghs, Bristol, March 2019Kleiner Shames, M32 roundabout, Bristol, January 2019Kleiner Shames, Waterloo Place, Bristol, October 2018Kleiner Shames and Epok, Dean Lane, Bristol, July 2018Kleiner Shames, New Stadium Road, Bristol, February 2018Kleiner Shames, Cherry Lane, Bristol, February 2018Kleiner Shames, Upper York Street, Bristol, January 2017Kleiner Shames, Armada Place, Bristol, August 2016Kleiner Shames, Backfields Lane, Bristol, September 2016Kleiner Shames, Backfields Lane, Bristol, September 2016Kleiner Shames, Upfest, Bristol, July 2016Kleiner Shames, Upper York Street, Bristol, May 2016Kleiner Shames, Moon Street, Bristol, July 2016Kleiner Shames, Nine Tree Hill, Bristol, January 2016Fois, Hill Street, Bristol, November 2015Kleiner Shames, Hill Street, Bristol, April 2015
It feels like a while since I saw anything by Soge, so this writing in St Werburghs tunnel recently was a nice surprise. I think it was created during the paint jam which included a lot of PWA artists.
Soge, St Werburghs, Bristol, July 2018
Soge, like Hire, uses a rather gothic style in his writing, which may be something they have brought with them from Poland, as it is not a style I see much of from any of the local artists. The letters SOGE are easy to pick out, although the lighting in the tunnel doesn’t really do the piece justice. Strangely I haven’t yet met Soge and so can’t really tell you too much about him.
This is the second of a pair of pieces by Dabuten Tronko in Easton which I came across recently. The wall had previously had a rather unattractive throw up on it and the improvement brought about by this work is immeasurable.
Dabuten Tronko, Belle Vue Road, Bristol, July 2018
I am very fond of these deconstructed rowing boat pieces by Dabuten Tronko, and it is great that he has visited Bristol on a couple of occasions in the last year – I wonder if he has contacts here as it is quite unusual for visitors to paint in Easton, they tend to go to the more common spots at the M32 or Dean Lane. I hope he returns again before too long.
An eye-catching piece in Dean Lane by Jee See (G.C. – Goshiku Chavu). On a black background, he has worked this neon green seismic piece really well. It reminds me of early green screen computers and video games like Space Invaders.
Jee See, Dean Lane, Bristol, July 2018
Jee See is another of those Bristol street artists who consistently turns out great work and furthermore he sprays in spots all around the city. Some artists prefer to stick to their own patch. More to come from Jee See soon.
I always look forward to Kleiner Shames’ visits to Bristol, because every time he leaves behind something to marvel at. This is a miraculous collaboration with Epok, and demonstrates what can be achieved by two street artists at the top of their game.
Kleiner Shames and Epok, Dean Lane, Bristol, July 2018
The first thing to notice is the fabulous colour selection, which is very much influenced by Kleiner Shames, as I have seen him use these colours several times before. The genius of the piece is in the letters. Epok always writes EPOK and Kleiner Shames writes FOIS. In this piece I can read both…how do they do that?
Kleiner Shames and Epok, Dean Lane, Bristol, July 2018
The highly designed style of the piece works to both of their strengths, but the execution is what makes this piece so good. Clean lines, incredible shapes and some really interesting shadows. It reminds me of so many fine artists of the twentieth century. I love this piece and it is without doubt my favourite writing work so far this year. Bravo boys.
This is another fine crisp clean piece from Slim Pickings, whose work I am really enjoying at the moment. I took these pictures just as he was finishing off the piece and was able to meet him for the first time. I was full of enthusiasm, having just finished my spray session at the Upfest shop on North Street. In the course of our conversation he told me he had been spraying for some 30years, which I found humbling and mildly embarrassing as he had only recently crossed my radar.
Slim Pickings, Dean Lane, Bristol, July 2018
I love his clean lines and fills – each one of his pieces striving to be better than the last. Slim Pickings is clearly a man who loves his art and constant search to keep up the high standard. He gave me a few tips, for which I am grateful. Nice piece.
I love the recent spate of wheatpastes from Object… and I think I might actually prefer them to his larger painted pieces, but both are great n my opinion. There is often something disturbing and emotional in Object…’s work with his political passion never too far from the surface.
Object…, M32 Spot, Bristol, July 2018
Outspoken and earnest, Object…’s pieces certainly challenge the viewer to see the world through the eyes of the less fortunate. This piece, while not necessarily falling into that category, certainly carries with it a disturbing nightmarish quality. I happen to love this piece, it is just a shame about the tag across the bottom of it. I hope to find more of these paste ups around the city.