Graffiti – Page 591 – Natural adventures

1844. Upfest 2018 (85)

About Ponny is an artist I had not come across before Upfest 2018 and what a wonderful set of wheatpastes he left for us to admire this year. This is the second one I have posted, and like the first it best described as poignant.

There is a sadness, but also a really touching humanity about this piece, and the tones used for the stencil work give the whole wheatpaste a sombre and yet very powerful presence. I can honestly say that About Ponny was probably my favourite discovery of Upfest 2018 – now I just need to travel around a bit to find more of his great work.

1843. Upfest 2018 (84)

I think I might have said this last year, but somehow Upfest wouldn’t feel like Upfest without a presence from Cheo. One of Bristol’s most established graffiti writers and character street artists, his work is always of the highest quality. Judging from his Instagram account, I think he prepares these pictures on his computer and then recreates scaled up versions, which lends itself to his very clean style with solid fills.

I have seen these characters a few times before. I never quite know what they are, frogs? toothless crocs? monsters? your guess is as good as mine. The writing has a feel of Japanese script to it and from time to time Cheo uses this. I really don’t know what it says, but would guess at CHEO, although I can’t see it myself. He finishes the whole thing off, of course, with one of his signature bees. All good.

1842. Upfest 2018 (83)

I remember at Upfest 2017 really loving a piece by Lauren Maria Hill and she has come up trumps again in 2018. A fine artist, who is probably more at home in the studio, Lauren Maria Hill manages to use these smaller boards to showcase her stunning portrait work.

Lauren Maria Hill, Upfest, Bristol, October 2018

Unfortunately I never saw the finished piece, I think it must have been taken away and protected from the showery weather, but you can get the general idea from these pictures. This is another work from Upfest 2018 to feature a leaf from a Swiss cheese plant – Maybe they are fun to paint.

Lauren Maria Hill, Upfest, Bristol, July 2017

1841. Upfest 2018 (82)

Anyone reading this will know that I am a big fan of Kid Crayon. His bright and unusual pieces always contain an element of wit, charm or mischief and this pink crocodile demonstrates this sense of fun with a commmentary on the rain that fell throughout the Upfest festival.

Kid Crayon, Upfest, Bristol, October 2018

This shutter piece was the second that he did at the festival, both using this colour scheme, so I am guessing that he got a job lot of these colours especially for the weekend. There is something really endearing about this crocodile and there is a gentleness to the way he is holding the little umbrella. A lovely piece.

1840. Upfest 2018 (81)

It wasn’t until Upfest this year that I discovered that I already knew The Hass, but under another name (there is a clue in the piece itself). It would seem that he has two street personas, one for his profession as a designer, and the other for recreation. I can tell you now that all of his work under whatever name is brilliant, and this piece is emblematic of that.

I am always going to favour an underwater scene and this one takes some beating. It really creates the impression of being under the sea, with the skylight creating a small shimmer at the top of the piece. There is a great story here, although it rather defeats me…the diver’s face looks like a carved pumpkin, but might be a skull.

There is a ship in a bottle that morphs into the diver’s helmet and octopus tentacles all over the place. Another nice touch are the goofy three-eyed fish from The Simpsons that also make it into Louis Masai’s coral reef piece from this year’s festival. There is another The Hass piece just off Park Street that I must photograph when I get a chance.

1839. The Bearpit (168)

Mr Draws is not being quite as busy on the streets these days, so it was a welcome surprise to come across this recent piece in The Bearpit on my way in to work, especially as Bristol City Council are making it very difficult for anyone to do anything beautiful in The Bearpit at the moment.

Mr Draws, The Bearpit, Bristol, October 2018

This piece just screams out ‘doughnuts’ to me…I’m not sure if it is meant to, but it does. It is alwats great to see these happy pieces by Mr Draws, whose colourful works definitely brighten up the place.

1838. Dean Lane skate park (175)

In Bristol we have a sizeable community of Polish street artists that between them manage to brighten up the city no end. Two of these, Hire and Nevergiveup have a thing for painting bunnies, and here is a reasonably recent one from Hire at Dean Lane. Recently Nevergiveup has opened an Instagram account called @followmyrabbits, and upped his game – I wonder if Hire is responding as this was one of three or four new ones by Hire.

These rabbits by Hire are always a little bit edgy or menacing and there is definitely a dark side to their characters. Nonetheless, I love coming across them, and they are a brilliant foil to his fabulous graffiti writing.

1837. Waterloo Place (4)

Deamze comes up trumps again with this spectacular piece of wildstyle writing that was sprayed next to the piece by Kleiner Shames I posted a little while back on the wall at the back of the Sofa Project. This wall is just magnificent and both artists have used the same colour schemes but presented their personal styles, so strictly speaking this was working at the same time together, but not necessarily a collaboration.

Deamze, Waterloo Place, Bristol, October 2018

Unusually, this is a piece without a cartoon character and has a little more gravitas for it. It almost feels more like a study…a serious piece of graffiti writing turned out impeccably with crisp lines and clean edges, strong solid fills and complex design. Even if not a fan of writing, one can marvel at the technical ability of the artist. I love this and its partner piece. Brilliant.

Kleiner Shames, Waterloo Place, Bristol, October 2018

1836. We the Curious

Most people in Bristol will know that the brilliant museum in Millennium Square, formerly known as @Bristol, changed its name to ‘We the Curious’ about a year ago, in a deliberate move to engage with people and inquisitive young minds. The museum and surrounding environment have always lent themselves to creative arts and the area is a showcase for science meets arts. Recently ‘We the Curious’ teamed up with the Cabot Institute to commission this beautiful work by Bristol illustrator and artist Anna Higgie.

Anna Higgie, We the Curious, Bristol, October 2018

This is a climate change mural (which immediately ticks my boxes) that on the face of it is a stylish portrait, but look a little closer and the picture comes alive with little stories about a changing climate and some of the causes. It is an unusual piece and one we should be proud of, if together with strong climate narratives it begins to engage people with the urgent need to do things differently in order to slow down CO2 emissions. I only know of one other work by the artist in Bristol and will have to post it soon.

One of the joys of the street art scene in Bristol is that it encompasses a spectrum of art from the safest commissions through to illegal graffiti writing and everything in between. Long live artistic expression and public access to art.

Object…

A collection of fabulous street art by Bristol artist Object…

All photographs taken by Scooj

	M. on 7606. M32 roundabout J2 (…
	hitandrun1964 on 7599. St Werburghs tunnel…
	hitandrun1964 on 7603. Dean Lane skate park…
	paulh121 on 7605. Dean Lane skate park…
	paulh121 on Omie

	M. on 7606. M32 roundabout J2 (…
	hitandrun1964 on 7599. St Werburghs tunnel…
	hitandrun1964 on 7603. Dean Lane skate park…
	paulh121 on 7605. Dean Lane skate park…
	paulh121 on Omie

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